April

  • Raffaello's tapestries set-up at the Sistine Chapel to commemorate the Anno Sanzio, Vatican City, Sistine Chapel, 17 - 23 February 2020
  • Pieter van Alest’s workshop, The Healing of the Lame Man, detail of the tapestry after Raffaello Sanzio's design, 1517-1519, southern wall of the Sistine Chapel, Vatican City, Sistine Chapel, 17 - 23 February 2020
  • Pieter van Alest’s workshop, Saint Paul in prison, tapestry after Raffaello Sanzio's design, 1517-1521, northern wall of the Sistine Chapel, Vatican City, Sistine Chapel, 17 - 23 February 2020
  • Pieter van Alest’s workshop, The Sacrifice at Lystra, detail of the tapestry after Raffaello Sanzio's design, 1517-1519, northern wall of the Sistine Chapel, Vatican City, Sistine Chapel, 17 - 23 February 2020
  • Raffaello's tapestries set-up at the Sistine Chapel to commemorate the Anno Sanzio, Vatican City, Sistine Chapel, 17 - 23 February 2020
  • Pieter van Alest’s workshop, Handing-over the Keys, detail of the tapestry after Raffaello Sanzio's design, 1517-1519, southern wall of the Sistine Chapel, Vatican City, Sistine Chapel, 17 - 23 February 2020
  • Pope throne on the occasion of Raffaello's tapestries set-up at the Sistine Chapel to commemorate the Anno Sanzio, Vatican City, 17 - 23 February 2020
  • Southern wall of the Sistine Chapel embellished with Raffaello's tapestries to commemorate the Anno Sanzio, Vatican City, Sistine Chapel, 17 - 23 February 2020
  • Raffaello's tapestries set-up at the Sistine Chapel to commemorate the Anno Sanzio, Vatican City, Sistine Chapel, 17 - 23 February 2020
  • Raffaello's tapestries set-up at the Sistine Chapel to commemorate the Anno Sanzio, Vatican City, Sistine Chapel, 17 - 23 February 2020
  • Southern wall of the Sistine Chapel embellished with Raffaello's tapestries to commemorate the Anno Sanzio, Vatican City, Sistine Chapel, 17 - 23 February 2020
  • Raffaello Sanzio, Death of Ananias, 1515, tempera on paper on canvas (385 x 440) cm, London, Victoria and Albert Museum
  • Northern wall of the Sistine Chapel embellished with Raffaello's tapestries to commemorate the Anno Sanzio, Vatican City, Sistine Chapel, 17 - 23 February 2020
  • Southern wall of the Sistine Chapel embellished with Raffaello's tapestries to commemorate the Anno Sanzio, Vatican City, Sistine Chapel, 17 - 23 February 2020
  • Northern wall of the Sistine Chapel embellished with Raffaello's tapestries to commemorate the Anno Sanzio, Vatican City, Sistine Chapel, 17 - 23 February 2020
  • Raffaello's tapestries set-up at the Sistine Chapel to commemorate the Anno Sanzio, Vatican City, Sistine Chapel, 17 - 23 February 2020
  • Raffaello Sanzio, The Miraculous Draft of Fishes, 1515-16, tempera on paper, mounted on canvas (360 x 400) cm, London, Victoria and Albert Museum
  • Raffaello Sanzio, The Healing of the Lame Man, 1515-16, tempera on paper, mounted on canvas (340 x 540) cm, London, Victoria and Albert Museum
  • Display map of Raffaello's tapestries set-up at the Sistine Chapel to commemorate the Anno Sanzio, Vatican City, Sistine Chapel, 17 - 23 February 2020
  • Raffaello Sanzio, Handing-over the Keys, 1515, tempera on paper, mounted on canvas (345 cm x 535) cm, London, Victoria and Albert Museum
  • Raffaello Sanzio, Saint Paul preaching in Athens, 1515, tempera on paper, mounted on canvas (390 x 440) cm, London, Victoria and Albert Museum
  • Raffaello Sanzio, Saint Paul before the Proconsul, 1515, tempera on paper, mounted on canvas (385 cm x 445) cm, London, Victoria and Albert Museum
  • Raffaello Sanzio, The Sacrifice at Lystra, 1515, tempera on paper, mounted on canvas (350 cm x 540) cm, London, Victoria and Albert Museum

March 2020

  • Artemisia Gentileschi, Saint Cecilia, ca. 1620, oil on canvas (108 × 78.5) cm, Room IV, also called “Studiolo grande” (big studiolo), Rome, Palazzo Spada, Galleria
  • Artemisia Gentileschi, Madonna and Child, ca. 1610-1613, oil on canvas (116.5 × 86.5) cm, Room IV, also called “Studiolo grande” (big studiolo), Rome, Palazzo Spada, Galleria
  • Palazzo Spada porticoed courtyard, front façade, stucco decorations by Giulio Mazzoni and others, ca. 1556-1560, Rome
  • Palazzo Spada porticoed courtyard, entrance façade, stucco decorations by Giulio Mazzoni and others, ca. 1556-1560, Rome
  • Entrance to the Galleria Spada from the garden atrium, Rome, Palazzo Spada
  • Artemisia Gentileschi's paintings on display at Room IV, also called “Studiolo grande” (big studiolo), Rome, Palazzo Spada, Galleria
  • Room IV, also called “Studiolo grande” (big studiolo), Rome, Palazzo Spada, Galleria
  • Room IV, also called “Studiolo grande” (big studiolo), Rome, Palazzo Spada, Galleria
  • Carved and gilded wood table commissioned by Fabrizio Spada, Palazzo Spada, Galleria
  • Francesco Borromini, perspectival gallery, 1652-1653, Rome, Palazzo Spada
  • Carved and gilded wood tables commissioned by Fabrizio Spada in 1699 and Roman busts made of marble, II-II century A.D., Room III, also called “Galleria del Cardinale” (Cardinal's gallery), Rome, Palazzo Spada, Galleria
  • Carved and gilded wood tables commissioned by Fabrizio Spada in 1699 and Roman busts made of marble, II-II century A.D., Room III, also called “Galleria del Cardinale” (Cardinal's gallery), Rome, Palazzo Spada, Galleria
  • Giacinto Campana, Abduction of Helen, Room III, also called “Galleria del Cardinale” (Cardinal's gallery), Rome, Palazzo Spada, Galleria
  • Francesco Trevisani, Feast with Antony and Cleopatra, Room III, also called “Galleria del Cardinale” (Cardinal's gallery), Rome, Palazzo Spada, Galleria
  • Michelangelo Ricciolini and helpers, ceiling painting decoration, 1698-1699, Room III, also called “Galleria del Cardinale” (Cardinal's gallery), Rome, Palazzo Spada, Galleria
  • Francesco Borromini, perspectival gallery, 1652-1653, Rome, Palazzo Spada
  • Room III, also called “Galleria del Cardinale” (Cardinal's gallery), Rome, Palazzo Spada, Galleria
  • Guercino, The Death of Dido, Room III, also called “Galleria del Cardinale” (Cardinal's gallery), Rome, Palazzo Spada, Galleria
  • Giovan Battista Gaulli, called il Baciccia, Sketch for the Triumph of the Name of Jesus fresco, Room III, also called “Galleria del Cardinale” (Cardinal's gallery), Rome, Palazzo Spada, Galleria
  • Room III, also called “Galleria del Cardinale” (Cardinal's gallery), Rome, Palazzo Spada, Galleria
  • Michelangelo Ricciolini and helpers, ceiling painting decoration, 1698-1699, Room III, also called “Galleria del Cardinale” (Cardinal's gallery), Rome, Palazzo Spada, Galleria
  • Room III, also called “Galleria del Cardinale” (Cardinal's gallery), Rome, Palazzo Spada, Galleria
  • Room II, also called “Stanza alla fiamminga” (Flemish room), Rome, Palazzo Spada, Galleria
  • Room II, also called “Stanza alla fiamminga” (Flemish room), Rome, Palazzo Spada, Galleria
  • Room II, also called “Stanza alla fiamminga” (Flemish room), Rome, Palazzo Spada, Galleria
  • Room II, also called “Stanza alla fiamminga” (Flemish room), Rome, Palazzo Spada, Galleria
  • Room II, also called “Stanza alla fiamminga” (Flemish room), Rome, Palazzo Spada, Galleria
  • Marco Palmezzano, Way to Calvary, Room II, also called “Stanza alla fiamminga” (Flemish room), Rome, Palazzo Spada, Galleria
  • Putto on seahorse, marble sculpture dating to the Roman Imperial era (I-II sec. A.D.), Room I, also called “Stanza dei Papi” (Popes room) or “Stanza del soffitto azzurro” (Azure ceiling room), Rome, Palazzo Spada, Galleria
  • Sebastiano Ceccarini, Portrait of cardinal Fabrizio Spada, Room I, also called “Stanza dei Papi” (Popes room) or “Stanza del soffitto azzurro” (Azure ceiling room), Rome, Palazzo Spada, Galleria
  • Guercino, Portrait of cardinal Bernardino Spada, Room I, also called “Stanza dei Papi” (Popes room) or “Stanza del soffitto azzurro” (Azure ceiling room), Rome, Palazzo Spada, Galleria
  • Guido Reni, Portrait of cardinal Bernardino Spada, Room I, also called “Stanza dei Papi” (Popes room) or “Stanza del soffitto azzurro” (Azure ceiling room), Rome, Palazzo Spada, Galleria
  • Room I, also called “Stanza dei Papi” (Popes room) or “Stanza del soffitto azzurro” (Azure ceiling room), Rome, Palazzo Spada, Galleria
  • Room I, also called “Stanza dei Papi” (Popes room) or “Stanza del soffitto azzurro” (Azure ceiling room), Rome, Palazzo Spada, Galleria
  • Room I, also called “Stanza dei Papi” (Popes room) or “Stanza del soffitto azzurro” (Azure ceiling room), Rome, Palazzo Spada, Galleria
  • Perspectival gallery wall inside the oranges garden, Rome, Palazzo Spada
  • Fresco details of the perspectival gallery wall inside the oranges garden, Rome, Palazzo Spada
  • Perspectival demonstration by the museum staff, Rome, Palazzo Spada
  • Francesco Borromini, balcony on two columns, ca. 1652-1653, Rome, Palazzo Spada
  • Francesco Borromini, garden fence, ca. 1652-1653, Rome, Palazzo Spada
  • Francesco Borromini, garden fence, ca. 1652-1653, Rome, Palazzo Spada
  • Library glass wall overlooking the perspectival gallery by Francesco Borromini, Rome, Palazzo Spada
  • Palazzo Spada façade, stucco decorations by Giulio Mazzoni and others, ca. 1556-1560, Rome
  • Piazza San Pietro viewed from the dome of the basilica di San Pietro in Vaticano
  • Moving of the Crucifix to the Vatican, Rome, chiesa di San Marcello al Corso, 26 March 2020
  • Pope Francesco venerating the Crucifix, Rome, chiesa di San Marcello al Corso, cappella del Crocifisso, 15 March 2020
  • Pope Francesco venerating the Salus Populi Romani icon, Rome, basilica di Santa Maria Maggiore, cappella Paolina, 15 March 2020
  • Chiesa di San Marcello al Corso façade, Rome
  • Saint pope Giovanni Paolo II adoring the Crucifix from the chiesa di San Marcello al Corso, Rome, basilica di San Pietro in Vaticano, 12 March 2000, celebration of the “Day of Forgiveness” (also called “Day of Pardon”, in Italian: “Giornata del Perdono”)
  • Crucifix, 15th century, wood, Rome, chiesa di San Marcello al Corso, cappella del Crocifisso. The ciborium with semiprecious stones was designed by Francesco Carlo Bizzaccheri around 1691
  • Moving of the Crucifix to the Vatican, Rome, chiesa di San Marcello al Corso, 26 March 2020.

November

  • The inauguration of “L'oro di Crivelli - Crivelli's gold” exhibition at the Vatican Museums, Pinacoteca Vaticana, 14 November 2019
  • Director Barbara Jatta, cardinal Giuseppe Bertello and padre Kevin Lixey before the opening of the inauguration of “L'oro di Crivelli - Crivelli's gold” exhibition at the Vatican Museums, Pinacoteca Vaticana, 14 November 2019
  • Director Barbara Jatta during the opening speech at the inauguration of “L'oro di Crivelli - Crivelli's gold” exhibition at the Vatican Museums, Pinacoteca Vaticana, 14 November 2019
  • The entrance to the Room XVII displaying “L'oro di Crivelli - Crivelli's gold” exhibition at the Vatican Museums, Pinacoteca Vaticana
  • Carlo Crivelli, Madonna and Child, 1482, tempera on panel, Inv. 40297. Coming from the church of San Francesco in Force (Ascoli Piceno). On view in the Room XVII, Vatican Museums, Pinacoteca Vaticana
  • Signature detail by Carlo Crivelli, Madonna and Child, 1482, tempera on panel, Inv. 40297. Coming from the church of San Francesco in Force (Ascoli Piceno). On view in the Room XVII, Vatican Museums, Pinacoteca Vaticana
  • Carlo Crivelli, Madonna and Child, 1482, tempera on panel, Inv. 40297. Coming from the church of San Francesco in Force (Ascoli Piceno). On view in the Room XVII, Vatican Museums, Pinacoteca Vaticana
  • Carlo Crivelli and assistants (?), Madonna and Child with four Saints, 1481, tempera on panel, Inv. 40298. Coming from the church of San Gregorio Magno in Ascoli Piceno. On view in the Room XVII, Vatican Museums, Pinacoteca Vaticana
  • Carlo Crivelli and assistants (?), Detail from the Madonna and Child with four Saints, 1481, tempera on panel, Inv. 40298. Coming from the church of San Gregorio Magno in Ascoli Piceno. On view in the Room XVII, Vatican Museums, Pinacoteca Vaticana
  • Carlo Crivelli, Detail from the Pietà, 1488-1489, lunette, tempera on panel, Inv. 40300. Possibly coming from the church of San Pietro di Muralto in Camerino. On view in the Room XVII, Vatican Museums, Pinacoteca Vaticana
  • Carlo Crivelli, Detail from the Pietà, 1488-1489, lunette, tempera on panel, Inv. 40300. Possibly coming from the church of San Pietro di Muralto in Camerino. On view in the Room XVII, Vatican Museums, Pinacoteca Vaticana
  • Carlo Crivelli, Detail from the Pietà, 1488-1489, lunette, tempera on panel, Inv. 40300. Possibly coming from the church of San Pietro di Muralto in Camerino. On view in the Room XVII, Vatican Museums, Pinacoteca Vaticana
  • Carlo Crivelli and assistants (?), Madonna and Child with four Saints, 1481, tempera on panel, Inv. 40298. Coming from the church of San Gregorio Magno in Ascoli Piceno. On view in the Room XVII, Vatican Museums, Pinacoteca Vaticana

May

  • Palma Bucarelli, Photo credit (c) La Repubblica
  • Palma Bucarelli, Photo credit (c) Corriere della Sera
  • Giulio Turcato, Portrait of Palma Bucarelli, 1944, Rome, Galleria Nazionale d'Arte Moderna
  • Palma Bucarelli
  • Palma Bucarelli, Photo credit (c) Enquire.it
  • Palma Bucarelli, Photo credit (c) Enquire.it
  • Esterior façade of the Galleria Borghese, Rome
  • Esterior façade of the Galleria Nazionale d'Arte Moderna, Rome
  • Esterior façade of the Galleria Nazionale d'Arte Moderna, Rome
  • Lion, detail, fresco painting, Rome, Galleria Nazionale d'Arte Antica in Palazzo Barberini, Grand Salon
  • Interior of Galleria Spada, Rome.
  • Detail of the Torlonia alcova, Rome, Museo di Roma in Palazzo Braschi
  • Raffaello Sanzio, “Transfiguration”, 1515-1520, mixed tempera on wood, Vatican City, Pinacoteca Vaticana, Vatican Museums
  • Storages of Galleria Nazionale d’Arte Moderna e Contemporanea in Rome, Photo credit (c) La Galleria Nazionale d'Arte Moderna e Contemporanea
  • Storages of the Galleria d’Arte Moderna in Rome, Photo credit (c) Francesco Bini via Wikimedia Commons
  • Storage of Villa Borghese sculptures at Museo Pietro Canonica in Rome, Photo credit (c) Musei in Comune Roma
  • Storage of the Galleria Borghese in Rome, Photo credit (c) Galleria Borghese
  • Commemorative slab celebrating the finding of the Sepulcher of the consul Aulus Hirtius in 1938, put in place in 1945 during pope Pius XII's pontificate, Rome, Palazzo della Cancelleria
  • Part of the sepulcher of Aulus Hirtius, partially submerged by the water of the Euripus canal, Rome, Palazzo della Cancelleria
  • Part of the sepulcher of Aulus Hirtius, partially submerged by the water of the Euripus canal, Rome, Palazzo della Cancelleria
  • Part of the sepulcher of Aulus Hirtius, partially submerged by the water of the Euripus canal, Rome, Palazzo della Cancelleria
  • Reconstruction of Leonardo da Vinci's inventions for swimming next to part of the sepulcher of Aulus Hirtius, partially submerged by the water of the Euripus canal, Rome, Palazzo della Cancelleria
  • Unknown author, Blessing Urbi et Orbi of pope Pio IX on Easter day in 1863, Rome, albumin, (196x250) mm, on cardboard support (345x438) mm, Manodori Sagredo collection
  • G. Sommer, Colosseum (with Meta Sudans), Rome, 1860 ca., albumin, (200x250) mm, on cardboard support (238x306) mm, Manodori Sagredo collection
  • Unknown author, Castel Sant'Angelo (with exterior castle wall,the clock on the tower and the horses tram), Rome, 1870-1880, albumin, (190x252) mm, Manodori Sagredo collection
  • Unknown author, Panorama of Castel Sant'Angelo (before the building of the Tiber embankments), Rome, 1860 ca., albumin, (203x267) mm, on cardboard support (238x306) mm, Manodori Sagredo collection
  • Unknown author, Roman Forum (with lines of elm trees ordered by pope Pio IX), Rome, 1860 ca., albumin (333x460) mm, Manodori Sagredo collection
  • G. Sommer, Arch of Constantine (and Meta Sudans), Rome, 1870 ca., albumin, (202x247) mm, on cardboard support (238x306) mm, Manodori Sagredo collection.
  • Underwood & Underwood, Capitoline, Palatine and Coelius hills (and two girls dressed as people from Ciociaria), Rome, before 1904, albumin (81x78) mm, on cardboard support (88x178) mm, Manodori Sagredo collection

April

  • Entrance to Villa Farnesina from Via della Lungara, Rome
  • Villa Farnesina from Lungotevere Farnesina, Rome
  • Garden of Villa Farnesina, Rome
  • Main north-western façade of Villa Farnesina, Rome
  • Garden of Villa Farnesina, Rome
  • Garden of Villa Farnesina, Rome
  • Garden of Villa Farnesina, Rome
  • Exterior of Villa Farnesina, Rome
  • Interior of Villa Farnesina, Rome
  • Raffaello Sanzio, Triumph of Galatea, 1513-1514, Sala di Galatea, Villa Farnesina, Rome
  • Baldassarre Peruzzi, Sala di Galatea, ceiling (detail), Villa Farnesina, Rome
  • Baldassarre Peruzzi, Sebastiano del Piombo, Sala di Galatea, Villa Farnesina, Rome
  • Baldassarre Peruzzi or Sebastiano del Piombo (attr.), Head of young man, fresco painting, Sala di Galatea, Villa Farnesina, Rome
  • Baldassarre Peruzzi, Sala di Galatea, ceiling, Villa Farnesina, Rome
  • Giulio Romano, Giovanni Francesco Penni, Raffaellin del Colle and Giovanni da Udine, after Raffaello Sanzio's designs, Story of Cupid and Psyche, Loggia di Psiche, Villa Farnesina, Rome
  • Giulio Romano, Giovanni Francesco Penni, Raffaellin del Colle and Giovanni da Udine, after Raffaello Sanzio's designs, Story of Cupid and Psyche, Loggia di Psiche, Villa Farnesina, Rome
  • Giulio Romano, Giovanni Francesco Penni, Raffaellin del Colle and Giovanni da Udine, after Raffaello Sanzio's designs, Story of Cupid and Psyche (detail), Loggia di Psiche, Villa Farnesina, Rome
  • Giulio Romano, Giovanni Francesco Penni, Raffaellin del Colle and Giovanni da Udine, after Raffaello Sanzio's designs, Story of Cupid and Psyche (detail), Loggia di Psiche, Villa Farnesina, Rome
  • Giulio Romano, Giovanni Francesco Penni, Raffaellin del Colle and Giovanni da Udine, after Raffaello Sanzio's designs, Story of Cupid and Psyche, Loggia di Psiche, Villa Farnesina, Rome
  • Giulio Romano, Giovanni Francesco Penni, Raffaellin del Colle and Giovanni da Udine, after Raffaello Sanzio's designs, Story of Cupid and Psyche, Loggia di Psiche, Villa Farnesina, Rome
  • Giulio Romano, Giovanni Francesco Penni, Raffaellin del Colle and Giovanni da Udine, after Raffaello Sanzio's designs, Story of Cupid and Psyche (detail), Loggia di Psiche, Villa Farnesina, Rome
  • Giulio Romano, Giovanni Francesco Penni, Raffaellin del Colle and Giovanni da Udine, after Raffaello Sanzio's designs, Story of Cupid and Psyche (detail), Loggia di Psiche, Villa Farnesina, Rome
  • Giulio Romano, Giovanni Francesco Penni, Raffaellin del Colle and Giovanni da Udine, after Raffaello Sanzio's designs, Marriage of Cupid and Psyche, from the Story of Cupid and Psyche, Loggia di Psiche, Villa Farnesina, Rome
  • Baldassarre Peruzzi and helpers, Salone delle Prospettive (detail), 1517-1518, Villa Farnesina, Rome
  • Giulio Romano, Giovanni Francesco Penni, Raffaellin del Colle and Giovanni da Udine, after Raffaello Sanzio's designs, Council of the Gods, from the Story of Cupid and Psyche, Loggia di Psiche, Villa Farnesina, Rome
  • Baldassarre Peruzzi and helpers, Salone delle Prospettive, 1517-1518, Villa Farnesina, Rome
  • Baldassarre Peruzzi and helpers, Salone delle Prospettive, 1517-1518, Villa Farnesina, Rome
  • Baldassarre Peruzzi and helpers, Salone delle Prospettive, 1517-1518, Villa Farnesina, Rome
  • Baldassarre Peruzzi and helpers, Salone delle Prospettive, 1517-1518, Villa Farnesina, Rome
  • Sixteenth century writings by Landsknecht, Salone delle Prospettive, Villa Farnesina, Rome
  • Sixteenth century writings by Landsknecht, Salone delle Prospettive, Villa Farnesina, Rome
  • Baldassarre Peruzzi and helpers, Parnassus, ca. 1517-1518, Salone delle Prospettive, northern wall, Villa Farnesina, Rome
  • Ancient writings (detail), Salone delle Prospettive, Villa Farnesina, Rome
  • Salone delle Prospettive, Villa Farnesina, Rome
  • Salone delle Prospettive, Villa Farnesina, Rome
  • Salone delle Prospettive, Villa Farnesina, Rome
  • Baldassarre Peruzzi and helpers, The myth of Arion, ca. 1517-1518, Salone delle Prospettive, southern wall, Villa Farnesina, Rome

March 2019

  • Rhinoceros - Fondazione Alda Fendi Esperimenti, in front of the Arch of Gianus Quadrifrons, Rome
  • Crouching Boy, attributed to Michelangelo Buonarroti, ca. 1530-1534, marble, height: 54,0 cm, entered the Hermitage in 1851; transferred from the Academy of Fine Arts, Inventory Number: Н.ск-154, Saint Petersburg, The State Hermitage Museum. On view in Rome, at Fondazione Alda Fendi - Esperimenti, 14 December 2018 - 10 March 2019
  • Crouching Boy, attributed to Michelangelo Buonarroti, ca. 1530-1534, marble, height: 54,0 cm, entered the Hermitage in 1851; transferred from the Academy of Fine Arts, Inventory Number: Н.ск-154, Saint Petersburg, The State Hermitage Museum. On view in Rome, at Fondazione Alda Fendi - Esperimenti, 14 December 2018 - 10 March 2019
  • Crouching Boy, attributed to Michelangelo Buonarroti, ca. 1530-1534, marble, height: 54,0 cm, entered the Hermitage in 1851; transferred from the Academy of Fine Arts, Inventory Number: Н.ск-154, Saint Petersburg, The State Hermitage Museum. On view in Rome, at Fondazione Alda Fendi - Esperimenti, 14 December 2018 - 10 March 2019
  • Crouching Boy, attributed to Michelangelo Buonarroti, ca. 1530-1534, marble, height: 54,0 cm, entered the Hermitage in 1851; transferred from the Academy of Fine Arts, Inventory Number: Н.ск-154, Saint Petersburg, The State Hermitage Museum. On view in Rome, at Fondazione Alda Fendi - Esperimenti, 14 December 2018 - 10 March 2019
  • Crouching Boy, attributed to Michelangelo Buonarroti, ca. 1530-1534, marble, height: 54,0 cm, entered the Hermitage in 1851; transferred from the Academy of Fine Arts, Inventory Number: Н.ск-154, Saint Petersburg, The State Hermitage Museum. On view in Rome, at Fondazione Alda Fendi - Esperimenti, 14 December 2018 - 10 March 2019
  • Crouching Boy, attributed to Michelangelo Buonarroti, ca. 1530-1534, marble, height: 54,0 cm, entered the Hermitage in 1851; transferred from the Academy of Fine Arts, Inventory Number: Н.ск-154, Saint Petersburg, The State Hermitage Museum. On view in Rome, at Fondazione Alda Fendi - Esperimenti, 14 December 2018 - 10 March 2019
  • Crouching Boy, attributed to Michelangelo Buonarroti, ca. 1530-1534, marble, height: 54,0 cm, entered the Hermitage in 1851; transferred from the Academy of Fine Arts, Inventory Number: Н.ск-154, Saint Petersburg, The State Hermitage Museum. On view in Rome, at Fondazione Alda Fendi - Esperimenti, 14 December 2018 - 10 March 2019
  • Crouching Boy, attributed to Michelangelo Buonarroti, ca. 1530-1534, marble, height: 54,0 cm, entered the Hermitage in 1851; transferred from the Academy of Fine Arts, Inventory Number: Н.ск-154, Saint Petersburg, The State Hermitage Museum. On view in Rome, at Fondazione Alda Fendi - Esperimenti, 14 December 2018 - 10 March 2019
  • Crouching Boy, attributed to Michelangelo Buonarroti, ca. 1530-1534, marble, height: 54,0 cm, entered the Hermitage in 1851; transferred from the Academy of Fine Arts, Inventory Number: Н.ск-154, Saint Petersburg, The State Hermitage Museum. On view in Rome, at Fondazione Alda Fendi - Esperimenti, 14 December 2018 - 10 March 2019
  • Crouching Boy, attributed to Michelangelo Buonarroti, ca. 1530-1534, marble, height: 54,0 cm, entered the Hermitage in 1851; transferred from the Academy of Fine Arts, Inventory Number: Н.ск-154, Saint Petersburg, The State Hermitage Museum. On view in Rome, at Fondazione Alda Fendi - Esperimenti, 14 December 2018 - 10 March 2019
  • Crouching Boy, attributed to Michelangelo Buonarroti, ca. 1530-1534, marble, height: 54,0 cm, entered the Hermitage in 1851; transferred from the Academy of Fine Arts, Inventory Number: Н.ск-154, Saint Petersburg, The State Hermitage Museum. On view in Rome, at Fondazione Alda Fendi - Esperimenti, 14 December 2018 - 10 March 2019
  • Crouching Boy, attributed to Michelangelo Buonarroti, ca. 1530-1534, marble, height: 54,0 cm, entered the Hermitage in 1851; transferred from the Academy of Fine Arts, Inventory Number: Н.ск-154, Saint Petersburg, The State Hermitage Museum. On view in Rome, at Fondazione Alda Fendi - Esperimenti, 14 December 2018 - 10 March 2019
  • Crouching Boy, attributed to Michelangelo Buonarroti, ca. 1530-1534, marble, height: 54,0 cm, entered the Hermitage in 1851; transferred from the Academy of Fine Arts, Inventory Number: Н.ск-154, Saint Petersburg, The State Hermitage Museum. On view in Rome, at Fondazione Alda Fendi - Esperimenti, 14 December 2018 - 10 March 2019
  • Crouching Boy, attributed to Michelangelo Buonarroti, ca. 1530-1534, marble, height: 54,0 cm, entered the Hermitage in 1851; transferred from the Academy of Fine Arts, Inventory Number: Н.ск-154, Saint Petersburg, The State Hermitage Museum. On view in Rome, at Fondazione Alda Fendi - Esperimenti, 14 December 2018 - 10 March 2019
  • Crouching Boy, attributed to Michelangelo Buonarroti, ca. 1530-1534, marble, height: 54,0 cm, entered the Hermitage in 1851; transferred from the Academy of Fine Arts, Inventory Number: Н.ск-154, Saint Petersburg, The State Hermitage Museum. On view in Rome, at Fondazione Alda Fendi - Esperimenti, 14 December 2018 - 10 March 2019
  • Crouching Boy, attributed to Michelangelo Buonarroti, ca. 1530-1534, marble, height: 54,0 cm, entered the Hermitage in 1851; transferred from the Academy of Fine Arts, Inventory Number: Н.ск-154, Saint Petersburg, The State Hermitage Museum. On view in Rome, at Fondazione Alda Fendi - Esperimenti, 14 December 2018 - 10 March 2019
  • Crouching Boy, attributed to Michelangelo Buonarroti, ca. 1530-1534, marble, height: 54,0 cm, entered the Hermitage in 1851; transferred from the Academy of Fine Arts, Inventory Number: Н.ск-154, Saint Petersburg, The State Hermitage Museum. On view in Rome, at Fondazione Alda Fendi - Esperimenti, 14 December 2018 - 10 March 2019
  • Crouching Boy, attributed to Michelangelo Buonarroti, ca. 1530-1534, marble, height: 54,0 cm, entered the Hermitage in 1851; transferred from the Academy of Fine Arts, Inventory Number: Н.ск-154, Saint Petersburg, The State Hermitage Museum. On view in Rome, at Fondazione Alda Fendi - Esperimenti, 14 December 2018 - 10 March 2019
  • Crouching Boy, attributed to Michelangelo Buonarroti, ca. 1530-1534, marble, height: 54,0 cm, entered the Hermitage in 1851; transferred from the Academy of Fine Arts, Inventory Number: Н.ск-154, Saint Petersburg, The State Hermitage Museum. On view in Rome, at Fondazione Alda Fendi - Esperimenti, 14 December 2018 - 10 March 2019
  • Crouching Boy, attributed to Michelangelo Buonarroti, ca. 1530-1534, marble, height: 54,0 cm, entered the Hermitage in 1851; transferred from the Academy of Fine Arts, Inventory Number: Н.ск-154, Saint Petersburg, The State Hermitage Museum. On view in Rome, at Fondazione Alda Fendi - Esperimenti, 14 December 2018 - 10 March 2019
  • Crouching Boy, attributed to Michelangelo Buonarroti, ca. 1530-1534, marble, height: 54,0 cm, entered the Hermitage in 1851; transferred from the Academy of Fine Arts, Inventory Number: Н.ск-154, Saint Petersburg, The State Hermitage Museum. On view in Rome, at Fondazione Alda Fendi - Esperimenti, 14 December 2018 - 10 March 2019
  • Crouching Boy, attributed to Michelangelo Buonarroti, ca. 1530-1534, marble, height: 54,0 cm, entered the Hermitage in 1851; transferred from the Academy of Fine Arts, Inventory Number: Н.ск-154, Saint Petersburg, The State Hermitage Museum. On view in Rome, at Fondazione Alda Fendi - Esperimenti, 14 December 2018 - 10 March 2019
  • Crouching Boy, attributed to Michelangelo Buonarroti, ca. 1530-1534, marble, height: 54,0 cm, entered the Hermitage in 1851; transferred from the Academy of Fine Arts, Inventory Number: Н.ск-154, Saint Petersburg, The State Hermitage Museum. On view in Rome, at Fondazione Alda Fendi - Esperimenti, 14 December 2018 - 10 March 2019
  • Crouching Boy, attributed to Michelangelo Buonarroti, ca. 1530-1534, marble, height: 54,0 cm, entered the Hermitage in 1851; transferred from the Academy of Fine Arts, Inventory Number: Н.ск-154, Saint Petersburg, The State Hermitage Museum. On view in Rome, at Fondazione Alda Fendi - Esperimenti, 14 December 2018 - 10 March 2019
  • Crouching Boy, attributed to Michelangelo Buonarroti, ca. 1530-1534, marble, height: 54,0 cm, entered the Hermitage in 1851; transferred from the Academy of Fine Arts, Inventory Number: Н.ск-154, Saint Petersburg, The State Hermitage Museum. On view in Rome, at Fondazione Alda Fendi - Esperimenti, 14 December 2018 - 10 March 2019
  • Crouching Boy, attributed to Michelangelo Buonarroti, ca. 1530-1534, marble, height: 54,0 cm, entered the Hermitage in 1851; transferred from the Academy of Fine Arts, Inventory Number: Н.ск-154, Saint Petersburg, The State Hermitage Museum. On view in Rome, at Fondazione Alda Fendi - Esperimenti, 14 December 2018 - 10 March 2019
  • The speech of curator Guido Cornini on the occasion of the "Raffaello a Roma. Restauri e ricerche" book presentation at the Vatican Museums, Sala Conferenze, 13 November 2018
  • Raffaello Sanzio and helpers, Cardinal and Theological Virtues, emperor Justinian receiving the Pandects (left), pope Gregory IX approving the Decretals (right), detail, Stanza della Segnatura, fresco painting, ca. 1511, Vatican Museums
  • Raffaello Sanzio and helpers, The School of Athens, Stanza della Segnatura, fresco painting, ca. 1509-1511, Vatican Museums
  • The Sistine Chapel in the evening, Vatican Museums
  • Raffaello Sanzio and helpers, The Mass at Bolsena, Stanza di Eliodoro, fresco painting, ca. 1512, Vatican Museums
  • Raffaello Sanzio and helpers, The Parnassus, Stanza della Segnatura, fresco painting, ca. 1510-1511, Vatican Museums
  • Raffaello Sanzio and helpers, The Expulsion of Heliodorus from the Temple, Stanza di Eliodoro, fresco painting, ca. 1511-1512, Vatican Museums
  • Raffaello Sanzio and helpers, Fire in the Borgo, Stanza dell'Incendio di Borgo, fresco painting, ca. 1514, Vatican Museums
  • Raffaello Sanzio and helpers, Fire in the Borgo, Stanza dell'Incendio di Borgo, fresco painting, ca. 1514, Vatican Museums
  • Raffaello Sanzio and helpers, The Mass at Bolsena (detail), Stanza di Eliodoro, fresco painting, ca. 1512, Vatican Museums
  • The Galleria delle Carte Geografiche lighten up in the evening at the Vatican Museums
  • Raffaello Sanzio and helpers, The School of Athens (detail), Stanza della Segnatura, fresco painting, ca. 1509-1511, Vatican Museums
  • Raffaello Sanzio and helpers, The Battle of Ostia, Stanza dell'Incendio di Borgo, fresco painting, ca. 1514-1515, Vatican Museums
  • Raffaello Sanzio and helpers, Deliverance of Saint Peter, Stanza di Eliodoro, fresco painting, ca. 1513-1514, Vatican Museums
  • Pietro Vannucci, known as il Perugino, The Eternal Father enthroned with angels and cherubs, Christ as Sol Iustitiae and the Temptation Christ, The Holy Trinity and the Apostles, Christ between Mercy and Justice, medallions, Stanza dell'Incendio di Borgo, vault, ca. 1507-1508, Vatican Museums
  • Raffaello Sanzio and helpers, Cardinal and Theological Virtues, emperor Justinian receiving the Pandects (left), pope Gregory IX approving the Decretals (right), Stanza della Segnatura, fresco painting, ca. 1511, Vatican Museums
  • Raffaello Sanzio and helpers, Coronation of Charlemagne, Stanza dell'Incendio di Borgo, fresco painting, ca. 1516-1517, Vatican Museums
  • Cesare Nebbia and Giovanni Guerra, Moving of the Vatican Obelisk in piazza San Pietro in May-September 1586 (detail), fresco painting, 1588-1590, Sale Sistine, Musei della Biblioteca Apostolica Vaticana, Vatican Museums
  • View of St. Peter's dome in the evening from the Vatican Museums
  • Raffaello Sanzio and helpers, The Meeting of Leo the Great and Attila, Stanza di Eliodoro, fresco painting, ca. 1514, Vatican Museums
  • Entrance to Sala Caduti di Nassirya, Senate of the Republic, Palazzo Madama, Rome
  • Interior of Sala Caduti di Nassirya, Senate of the Republic, Palazzo Madama, Rome
  • Interior of Sala Caduti di Nassirya, Senate of the Republic, Palazzo Madama, Rome
  • Interior of Sala Caduti di Nassirya, Senate of the Republic, Palazzo Madama, Rome
  • Interior of Sala Caduti di Nassirya, Senate of the Republic, Palazzo Madama, Rome
  • Interior of Sala Caduti di Nassirya, Senate of the Republic, Palazzo Madama, Rome
  • Press conference presenting the official T-shirt of Matera 2019 European capital of culture, designed by Yezael by Angelo Cruciani, Sala Caduti di Nassirya, Senate of the Republic, Palazzo Madama, Rome, 26 March 2019
  • Angelo Cruciani and Silvia Salemi being interviewed at the press conference presenting the official T-shirt of Matera 2019 European capital of culture, designed by Yezael by Angelo Cruciani, Sala Caduti di Nassirya, Senate of the Republic, Palazzo Madama, Rome, 26 March 2019
  • Press conference presenting the official T-shirt of Matera 2019 European capital of culture, designed by Yezael by Angelo Cruciani, Sala Caduti di Nassirya, Senate of the Republic, Palazzo Madama, Rome, 26 March 2019
  • Press conference presenting the official T-shirt of Matera 2019 European capital of culture, designed by Yezael by Angelo Cruciani, Sala Caduti di Nassirya, Senate of the Republic, Palazzo Madama, Rome, 26 March 2019
  • Angelo Cruciani together with Milestone Rome co-founders Flavia and Pietro, at the press conference presenting the official T-shirt of Matera 2019 European capital of culture, designed by Yezael by Angelo Cruciani, Sala Caduti di Nassirya, Senate of the Republic, Palazzo Madama, Rome, 26 March 2019
  • Exit of Senate of the Republic, Palazzo Madama, Rome
  • Façade of Palazzo Madama, seat of Senate of the Republic, Rome
  • Façade of Palazzo Madama, seat of Senate of the Republic, Rome

December

  • View of Rome at sunset from the Loggia delle Benedizioni above the basilica di San Marco Evangelista al Campidoglio directly accessible from Palazzo Venezia
  • Entrance hall of Palazzo Venezia, characterized by a Renaissance barrel vault, which is the new entry to the museum from piazza Venezia, Rome
  • Exterior lunette protected by a roof, displaying a copy of San Lorenzo bust by Donatello, Pieve di San Lorenzo, Borgo San Lorenzo (Mugello), Italy
  • Façade of Pieve di San Lorenzo, Borgo San Lorenzo (Mugello), Italy
  • Exterior lunette with a copy of San Lorenzo bust by Donatello, Pieve di San Lorenzo, Borgo San Lorenzo (Mugello), Italy
  • Donato di Niccolò di Betto (Donatello), San Lorenzo, terracotta bust (62 x 47 x 74.5) cm, c. 1440, Kathleen Onorato Peter Silverman collection, temporary on display at Museo Nazionale Palazzo di Venezia
  • Donato di Niccolò di Betto (Donatello), San Lorenzo, terracotta bust (62 x 47 x 74.5) cm, c. 1440, Kathleen Onorato Peter Silverman collection
  • Donato di Niccolò di Betto (Donatello), San Lorenzo, terracotta bust (62 x 47 x 74.5) cm, c. 1440, Kathleen Onorato Peter Silverman collection
  • Donato di Niccolò di Betto (Donatello), San Lorenzo, terracotta bust (62 x 47 x 74.5) cm, c. 1440, Kathleen Onorato Peter Silverman collection
  • Donato di Niccolò di Betto (Donatello), San Lorenzo, terracotta bust (62 x 47 x 74.5) cm, c. 1440, Kathleen Onorato Peter Silverman collection

November

  • The speech of the director Barbara Jatta on the occasion of the inauguration of “Winckelmann. Capolavori diffusi nei Musei Vaticani” exhibition at the Vatican Museums, Braccio Nuovo, 8 November 2018
  • The set-up of the Sleeping Ariadne for “Winckelmann. Capolavori diffusi nei Musei Vaticani” exhibition at the Vatican Museums
  • The speech of the director Barbara Jatta on the occasion of the inauguration of “Winckelmann. Capolavori diffusi nei Musei Vaticani” exhibition at the Vatican Museums, Braccio Nuovo, 8 November 2018
  • Multimedia hall of “Winckelmann. Capolavori diffusi nei Musei Vaticani” exhibition at the Vatican Museums, Pinacoteca Vaticana
  • The speech of the curator Claudia Valeri on the occasion of the inauguration of “Winckelmann. Capolavori diffusi nei Musei Vaticani” exhibition at the Vatican Museums, Braccio Nuovo, 8 November 2018
  • The inauguration of “Winckelmann. Capolavori diffusi nei Musei Vaticani” exhibition at the Vatican Museums, Braccio Nuovo, 8 November 2018
  • The set-up of the Belvedere Torso for “Winckelmann. Capolavori diffusi nei Musei Vaticani” exhibition at the Vatican Museums
  • The inauguration of “Winckelmann. Capolavori diffusi nei Musei Vaticani” exhibition at the Vatican Museums, Braccio Nuovo, 8 November 2018
  • Nile, final decades of the 1st century AD, from Rome, excavated in the site of the Iseum Campense, 1513, Braccio Nuovo, Musei Vaticani
  • The speech of cardinal Giuseppe Bertello on the occasion of the inauguration of “Winckelmann. Capolavori diffusi nei Musei Vaticani” exhibition at the Vatican Museums, Braccio Nuovo, 8 November 2018
  • The poster of “Winckelmann. Capolavori diffusi nei Musei Vaticani” exhibition at the Vatican Museums
  • The set-up of the Laocoön and his Sons for “Winckelmann. Capolavori diffusi nei Musei Vaticani” exhibition at the Vatican Museums
  • The informative panel about the Nile sculpture for “Winckelmann. Capolavori diffusi nei Musei Vaticani” exhibition at the Vatican Museums
  • The inauguration of “Winckelmann. Capolavori diffusi nei Musei Vaticani” exhibition at the Vatican Museums, Braccio Nuovo, 8 November 2018
  • The inauguration of “Winckelmann. Capolavori diffusi nei Musei Vaticani” exhibition at the Vatican Museums, Braccio Nuovo, 8 November 2018
  • The inauguration of “Winckelmann. Capolavori diffusi nei Musei Vaticani” exhibition at the Vatican Museums, Braccio Nuovo, 8 November 2018
  • The poster of “Winckelmann. Capolavori diffusi nei Musei Vaticani” exhibition at the Vatican Museums
  • The inauguration of “Winckelmann. Capolavori diffusi nei Musei Vaticani” exhibition at the Vatican Museums, Braccio Nuovo, 8 November 2018
  • Multimedia hall of “Winckelmann. Capolavori diffusi nei Musei Vaticani” exhibition at the Vatican Museums
  • Plan of “Winckelmann. Capolavori diffusi nei Musei Vaticani” exhibition itinerary at the Vatican Museums
  • Official poster of “Winckelmann. Capolavori diffusi nei Musei Vaticani” exhibition at the Vatican Museums

August

  • Restorer Arianna explaining the activities at the restoration laboratory, Rome
  • The interior of the restoration laboratory, Rome
  • Restorer Arianna explaining the activities at the restoration laboratory, Rome
  • The interior of the restoration laboratory, Rome
  • Pigments at the restoration laboratory, Rome
  • Restorer Valeria carrying out a proof to remove the yellowish aged varnish from a painting surface at the restoration laboratory, Rome
  • Canvases, gilded panels, pigments and other materials used in painting, on display to be touched at the restoration laboratory, Rome
  • Restorer Arianna explaining the activities at the restoration laboratory, Rome
  • Restorer Valeria carrying out a proof to remove the yellowish aged varnish from a painting surface at the restoration laboratory, Rome
  • Restorer Arianna showing the cleaning proofs on a painting, at the restoration laboratory, Rome
  • The diagnostic analysis of a painting through the UV lamp, which allows to recognize previous restoration interventions
  • Restorers showing the back of a late 16th century panel painting by Andrea Sabatino, also known as Andrea da Salerno, at the restoration laboratory, Rome
  • A restorer at work at the restoration laboratory, Rome
  • Restorers' instruments at the restoration laboratory, Rome
  • Restorer Valeria carrying out a proof to remove the yellowish aged varnish from a painting surface at the restoration laboratory, Rome
  • The interior of the restoration laboratory, Rome
  • The visit guided by Roma Experience during the "Restoring Caravaggio - A VIP Rome Tour Experience" on the 1st August 2018, Rome, chiesa di San Luigi dei Francesi, Contarelli chapel
  • The visit guided by Roma Experience during the "Restoring Caravaggio - A VIP Rome Tour Experience" on the 1st August 2018, Rome, basilica di Santa Maria del Popolo, Cerasi chapel
  • The restorer showing the egg tempera painting technique, at the restoration laboratory, Rome
  • The visit guided by Roma Experience during the "Restoring Caravaggio - A VIP Rome Tour Experience" on the 1st August 2018, Rome, basilica di Sant'Agostino, Cavalletti chapel
  • The visit guided by Roma Experience during the "Restoring Caravaggio - A VIP Rome Tour Experience" on the 1st August 2018, Rome, chiesa di San Luigi dei Francesi, Contarelli chapel
  • Restorers' instruments at the restoration laboratory, Rome

May

  • The red rose petals falling down, on the occasion of the Pentecost ceremony at the Pantheon in Rome
  • The interior of the monument after the Pentecost ceremony at the Pantheon in Rome
  • The staff cleaning off the red rose petals fallen on the floor of the monument, after the Pentecost ceremony at the Pantheon in Rome
  • The entrance to the monument, on the occasion of the Pentecost ceremony at the Pantheon in Rome
  • The entrance to the monument, on the occasion of the Pentecost ceremony at the Pantheon in Rome
  • The firemen of Rome, getting ready with their harness to climb on the top of the Pantheon and let the petals fall down inside the monument, on the occasion of the Pentecost ceremony at the Pantheon in Rome
  • The firemen of Rome, getting ready with their harness to climb on the top of the Pantheon and let the petals fall down inside the monument, on the occasion of the Pentecost ceremony at the Pantheon in Rome
  • The firemen of Rome, getting ready with their harness to climb on the top of the Pantheon and let the petals fall down inside the monument, on the occasion of the Pentecost ceremony at the Pantheon in Rome
  • The firemen of Rome, getting ready with their harness to climb on the top of the Pantheon and let the petals fall down inside the monument, on the occasion of the Pentecost ceremony at the Pantheon in Rome
  • The firemen of Rome, getting ready with their harness to climb on the top of the Pantheon and let the petals fall down inside the monument, on the occasion of the Pentecost ceremony at the Pantheon in Rome
  • The firemen of Rome, who are assigned to the dangerous task of climbing on the top of the Pantheon to let the petals fall down inside the monument, on the occasion of the Pentecost ceremony at the Pantheon in Rome
  • The arrival of the cardinal Gianfranco Ravasi to officiate the religious Mass, on the occasion of the Pentecost ceremony at the Pantheon in Rome
  • The arrival of the cardinal Gianfranco Ravasi to officiate the religious Mass, on the occasion of the Pentecost ceremony at the Pantheon in Rome
  • The arrival of the cardinal Gianfranco Ravasi to officiate the religious Mass, on the occasion of the Pentecost ceremony at the Pantheon in Rome
  • The welcome to the cardinal Gianfranco Ravasi, arrived to officiate the religious Mass on the occasion of the Pentecost ceremony at the Pantheon in Rome
  • The welcome to the cardinal Gianfranco Ravasi, arrived to officiate the religious Mass on the occasion of the Pentecost ceremony at the Pantheon in Rome
  • The arrival of the cardinal Gianfranco Ravasi to officiate the religious Mass, on the occasion of the Pentecost ceremony at the Pantheon in Rome
  • The firemen of Rome before climbing on the top of the Pantheon and let the petals fall down inside the monument, on the occasion of the Pentecost ceremony at the Pantheon in Rome
  • The entrance to the monument, on the occasion of the Pentecost ceremony at the Pantheon in Rome
  • The officiating clergymen waiting outside the monument, on the occasion of the Pentecost ceremony at the Pantheon in Rome
  • The crowded piazza della Rotonda in Rome, on the occasion of the Pentecost ceremony at the Pantheon

April

  • MuseumWeek-MilestoneRome
  • Susanna and the Elders, ca. 1600-1605, Rome, Galleria Doria Pamphilj
  • Raffaello Sanzio, Portrait of a Young Woman (La Fornarina)
  • Artemisia Gentileschi, Madonna and child
  • Stefano Maderno, Santa Cecilia
  • Christoffer Wilhelm Eckersberg, The Marble Steps leading up to the Church of Santa Maria in Aracoeli in Rome
  • The Aracoeli staircase in Rome, today.
  • Jakob Alt, The Pantheon and the Piazza della Rotonda in Rome
  • The Pantheon and piazza della Rotonda in Rome, today
  • Circle of Claude Lorrain, View of the Campo Vaccino, Rome
  • View of the Roman Forum, today
  • The basilica di San Pietro, today
  • Viviano Codazzi, Basilica di San Pietro
  • Colombarium discovered during the investigation carried out in spring 2016 in the area of Parco di Centocelle subway station
  • Colombarium discovered during the investigation carried out in spring 2016 in the area of Parco di Centocelle subway station.
  • Colombarium discovered during the investigation carried out in spring 2016 in the area of Parco di Centocelle subway station
  • Colombarium discovered during the investigation carried out in spring 2016 in the area of Parco di Centocelle subway station
  • Ancient Roman remains discovered on the occasion of the archaeological investigations prior to the works for the piazza Venezia subway station between 2007 and 2011 and identified with Hadrian's Auditoria
  • Ancient Roman remains discovered on the occasion of the archaeological investigations prior to the works for the piazza Venezia subway station between 2007 and 2011 and identified with Hadrian's Auditoria
  • Ancient Roman remains uncovered in 2016 in the site of the Amba Aradam subway station
  • Ancient Roman remains uncovered in 2016 in the site of the Amba Aradam subway station
  • Ancient Roman remains uncovered in 2016 in the site of the Amba Aradam subway station
  • Underground aqueduct dating back to the Republican period and discovered at the end of 2016 on the occasion of the archaeological investigations lasted two years, carried out at piazza Celimontana on the Caelian hill for the subway line
  • Underground aqueduct dating back to the Republican period and discovered at the end of 2016 on the occasion of the archaeological investigations lasted two years, carried out at piazza Celimontana on the Caelian hill for the subway line.
  • Underground aqueduct dating back to the Republican period and discovered at the end of 2016 on the occasion of the archaeological investigations lasted two years, carried out at piazza Celimontana on the Caelian hill for the subway line
  • Underground aqueduct dating back to the Republican period and discovered at the end of 2016 on the occasion of the archaeological investigations lasted two years, carried out at piazza Celimontana on the Caelian hill for the subway line
  • The great hydric reservoir dating back to the Imperial period, found in the area of San Giovanni subway station
  • The great hydric reservoir dating back to the Imperial period, found in the area of San Giovanni subway station
  • The great hydric reservoir dating back to the Imperial period, found in the area of San Giovanni subway station
  • The great hydric reservoir dating back to the Imperial period, found in the area of San Giovanni subway station
  • Ancient Roman remains uncovered in 2016 in the site of the Amba Aradam subway station
  • Frescoes from the Villa of Livia, second half of the 1st century BC, Rome, Museo Nazionale Romano di Palazzo Massimo
  • Frescoes from the Villa of Livia, second half of the 1st century BC, Rome, Museo Nazionale Romano di Palazzo Massimo
  • Frescoes from the Villa of Livia, second half of the 1st century BC, Rome, Museo Nazionale Romano di Palazzo Massimo
  • Frescoes from the Villa of Livia, second half of the 1st century BC, Rome, Museo Nazionale Romano di Palazzo Massimo
  • Frescoes from the Villa of Livia, second half of the 1st century BC, Rome, Museo Nazionale Romano di Palazzo Massimo
  • Frescoes from the Villa of Livia, second half of the 1st century BC, Rome, Museo Nazionale Romano di Palazzo Massimo
  • Frescoes from the Villa of Livia, second half of the 1st century BC, Rome, Museo Nazionale Romano di Palazzo Massimo
  • Frescoes from the Villa of Livia, second half of the 1st century BC, Rome, Museo Nazionale Romano di Palazzo Massimo
  • Frescoes from the Villa of Livia, second half of the 1st century BC, Rome, Museo Nazionale Romano di Palazzo Massimo
  • Frescoes from the Villa of Livia, second half of the 1st century BC, Rome, Museo Nazionale Romano di Palazzo Massimo
  • Frescoes from the Villa of Livia, second half of the 1st century BC, Rome, Museo Nazionale Romano di Palazzo Massimo
  • Frescoes from the Villa of Livia, second half of the 1st century BC, Rome, Museo Nazionale Romano di Palazzo Massimo
  • Frescoes from the Villa of Livia, second half of the 1st century BC, Rome, Museo Nazionale Romano di Palazzo Massimo
  • Frescoes from the Villa of Livia, second half of the 1st century BC, Rome, Museo Nazionale Romano di Palazzo Massimo
  • Frescoes from the Villa of Livia, second half of the 1st century BC, Rome, Museo Nazionale Romano di Palazzo Massimo
  • Frescoes from the Villa of Livia, second half of the 1st century BC, Rome, Museo Nazionale Romano di Palazzo Massimo
  • Frescoes from the Villa of Livia, second half of the 1st century BC, Rome, Museo Nazionale Romano di Palazzo Massimo
  • The arrest of Jesus Christ featuring at the "Coronation of Rome goddess" event on the 20th of April 2018 at piazza del Campidoglio to start the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The "Coronation of Rome goddess" event on the 20th of April 2018 at piazza del Campidoglio to start the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The "Coronation of Rome goddess" event on the 20th of April 2018 at piazza del Campidoglio to start the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Roman soldier from the "Coronation of Rome goddess" event on the 20th of April 2018 at piazza del Campidoglio to start the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman characters featuring at the "Coronation of Rome goddess" event on the 20th of April 2018 at piazza del Campidoglio to start the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman characters featuring at the "Coronation of Rome goddess" event on the 20th of April 2018 at piazza del Campidoglio to start the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The "Coronation of Rome goddess" event on the 20th of April 2018 at piazza del Campidoglio to start the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The "Coronation of Rome goddess" event on the 20th of April 2018 at piazza del Campidoglio to start the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Romulus and Remus featuring at the "Coronation of Rome goddess" event on the 20th of April 2018 at piazza del Campidoglio to start the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The statue of Rome goddess at piazza del Campidoglio, Rome.
  • The "Coronation of Rome goddess" event on the 20th of April 2018 at piazza del Campidoglio to start the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The "Coronation of Rome goddess" event on the 20th of April 2018 at piazza del Campidoglio to start the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The "Coronation of Rome goddess" event on the 20th of April 2018 at piazza del Campidoglio to start the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The arrest of Jesus Christ featuring at the "Coronation of Rome goddess" event on the 20th of April 2018 at piazza del Campidoglio to start the celebrations of the founding of Rome, in Italy called Natale di Roma..
  • The arrest of Jesus Christ featuring at the "Coronation of Rome goddess" event on the 20th of April 2018 at piazza del Campidoglio to start the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman mosaic techniques featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman foodstuffs featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman flavorings and ointments featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman flavorings featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman weaving featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • ncient Roman gladiatorial salute, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman gladiatorial fight, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman gladiatorial fight, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman gladiatorial fight, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman gladiatorial fight, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman gladiatorial fight, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman gladiatorial fight, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman gladiatorial fight, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman gladiatorial fight, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman gladiatorial fight, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman gladiatorial fight, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman gladiatorial fight, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman gladiatorial fight, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman gladiatorial fight, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman gladiatorial fight, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman gladiatorial fight, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman gladiatorial fight, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman gladiatorial fights, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman beauty and hairstyle featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman gladiatorial fights explained to kids, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman gladiators' shields and greavers featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman gladiators' shields and greavers featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman gladiators' tent featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman Praetorian guard's tent featuring at the historical camp set in April 20-23, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman gladiators' tent featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman gladiators' tent featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman gladiatorial fights explained to kids, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Standard of Rome gladiatorial school by the Gruppo Storico Romano association, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman gladiators' helms featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman gladiators' helms featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman gladiators' helms and weapons featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman Praetorian guard's tent featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman characters at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Detail from the Ancient Roman Praetorian guard's tent featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Detail from the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman techniques featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman Praetorian guard's tent featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman Praetorian guard's tent featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Detail from the Ancient Roman Praetorian guard's tent featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman Praetorian guard's tent featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman Praetorian guard's tent featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Standard of an Ancient Roman legion featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman weapons and other metal instruments featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman writing tools featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman pigments featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman horse races, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman horse races, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman horse races, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The historical re-enactment of the founding of Rome, “Tracciato del solco”, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman horse races, featuring at the historical camp set in April 20-22, 2018 at Circo Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The historical re-enactment of the founding of Rome, “Tracciato del solco”, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman characters, featuring at the historical camp set in April 20-23, 2018 at Circo Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The historical re-enactment of the religious ceremony of the “Palilia”, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The historical re-enactment of the religious ceremony of the “Palilia”, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The historical re-enactment of the religious ceremony of the “Palilia”, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The historical re-enactment of the religious ceremony of the “Palilia”, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The historical re-enactment of the religious ceremony of the “Palilia”, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The historical re-enactment of the religious ceremony of the “Palilia”, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The historical re-enactment of the religious ceremony of the “Palilia”, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The historical re-enactment of the religious ceremony of the “Palilia”, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The historical re-enactment of the religious ceremony of the “Palilia”, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The historical re-enactment of the religious ceremony of the “Palilia”, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The historical re-enactment of the religious ceremony of the “Palilia”, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The historical re-enactment of the religious ceremony of the “Palilia”, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The historical re-enactment of the religious ceremony of the “Palilia”, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman dances, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman dances, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman dances, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman dances, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • British characters from the final historical re-enactment of the ancient battles in Britannia, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman legions from the final historical re-enactment of the ancient battles in Britannia, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman legion from the final historical re-enactment of the ancient battles in Britannia, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma.
  • The historical procession starting from Circo Massimo and pass by Teatro di Marcello, Piazza Venezia and Via dei Fori Imperiali, to worthily close on the 22nd of April 2018 the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman legions from the final historical re-enactment of the ancient battles in Britannia, featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The historical procession starting from Circo Massimo and passing by Teatro di Marcello, Piazza Venezia and Via dei Fori Imperiali, to worthily close on the 22nd of April 2018 the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The historical procession starting from Circo Massimo and passing by Teatro di Marcello, Piazza Venezia and Via dei Fori Imperiali, to worthily close on the 22nd of April 2018 the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The historical procession starting from Circo Massimo and passing by Teatro di Marcello, Piazza Venezia and Via dei Fori Imperiali, to worthily close on the 22nd of April 2018 the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The historical procession starting from Circo Massimo and passing by Teatro di Marcello, Piazza Venezia and Via dei Fori Imperiali, to worthily close on the 22nd of April 2018 the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The historical procession starting from Circo Massimo and pass by Teatro di Marcello, Piazza Venezia and Via dei Fori Imperiali, to worthily close on the 22nd of April 2018 the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The historical procession starting from Circo Massimo and passing by Teatro di Marcello, Piazza Venezia and Via dei Fori Imperiali, to worthily close on the 22nd of April 2018 the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The historical procession starting from Circo Massimo and passing by Teatro di Marcello, Piazza Venezia and Via dei Fori Imperiali, to worthily close on the 22nd of April 2018 the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The historical procession starting from Circo Massimo and passing by Teatro di Marcello, Piazza Venezia and Via dei Fori Imperiali, to worthily close on the 22nd of April 2018 the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The historical procession starting from Circo Massimo and passing by Teatro di Marcello, Piazza Venezia and Via dei Fori Imperiali, to worthily close on the 22nd of April 2018 the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The historical procession starting from Circo Massimo and passing by Teatro di Marcello, Piazza Venezia and Via dei Fori Imperiali, to worthily close on the 22nd of April 2018 the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The historical procession starting from Circo Massimo and passing by Teatro di Marcello, Piazza Venezia and Via dei Fori Imperiali, to worthily close on the 22nd of April 2018 the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The historical procession starting from Circo Massimo and passing by Teatro di Marcello, Piazza Venezia and Via dei Fori Imperiali, to worthily close on the 22nd of April 2018 the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The historical procession starting from Circo Massimo and passing by Teatro di Marcello, Piazza Venezia and Via dei Fori Imperiali, to worthily close on the 22nd of April 2018 the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The historical procession starting from Circo Massimo and passing by Teatro di Marcello, Piazza Venezia and Via dei Fori Imperiali, to worthily close on the 22nd of April 2018 the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The historical procession starting from Circo Massimo and passing by Teatro di Marcello, Piazza Venezia and Via dei Fori Imperiali, to worthily close on the 22nd of April 2018 the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The historical procession starting from Circo Massimo and passing by Teatro di Marcello, Piazza Venezia and Via dei Fori Imperiali, to worthily close on the 22nd of April 2018 the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The historical procession starting from Circo Massimo and passing by Teatro di Marcello, Piazza Venezia and Via dei Fori Imperiali, to worthily close on the 22nd of April 2018 the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The historical procession starting from Circo Massimo and passing by Teatro di Marcello, Piazza Venezia and Via dei Fori Imperiali, to worthily close on the 22nd of April 2018 the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The historical procession starting from Circo Massimo and passing by Teatro di Marcello, Piazza Venezia and Via dei Fori Imperiali, to worthily close on the 22nd of April 2018 the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The historical procession starting from Circo Massimo and passing by Teatro di Marcello, Piazza Venezia and Via dei Fori Imperiali, to worthily close on the 22nd of April 2018 the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The historical procession starting from Circo Massimo and passing by Teatro di Marcello, Piazza Venezia and Via dei Fori Imperiali, to worthily close on the 22nd of April 2018 the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The historical procession starting from Circo Massimo and passing by Teatro di Marcello, Piazza Venezia and Via dei Fori Imperiali, to worthily close on the 22nd of April 2018 the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The end of the historical procession starting from Circo Massimo and passing by Teatro di Marcello, Piazza Venezia and Via dei Fori Imperiali, to worthily close on the 22nd of April 2018 the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The end of the historical procession starting from Circo Massimo and passing by Teatro di Marcello, Piazza Venezia and Via dei Fori Imperiali, to worthily close on the 22nd of April 2018 the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The end of the historical procession starting from Circo Massimo and passing by Teatro di Marcello, Piazza Venezia and Via dei Fori Imperiali, to worthily close on the 22nd of April 2018 the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The end of the historical procession starting from Circo Massimo and passing by Teatro di Marcello, Piazza Venezia and Via dei Fori Imperiali, to worthily close on the 22nd of April 2018 the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The end of the historical procession starting from Circo Massimo and passing by Teatro di Marcello, Piazza Venezia and Via dei Fori Imperiali, to worthily close on the 22nd of April 2018 the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The end of the historical procession starting from Circo Massimo and passing by Teatro di Marcello, Piazza Venezia and Via dei Fori Imperiali, to worthily close on the 22nd of April 2018 the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The end of the historical procession starting from Circo Massimo and passing by Teatro di Marcello, Piazza Venezia and Via dei Fori Imperiali, to worthily close on the 22nd of April 2018 the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The end of the historical procession starting from Circo Massimo and passing by Teatro di Marcello, Piazza Venezia and Via dei Fori Imperiali, to worthily close on the 22nd of April 2018 the celebrations of the founding of Rome, in Italy called Natale di Roma
  • The end of the historical procession starting from Circo Massimo and passing by Teatro di Marcello, Piazza Venezia and Via dei Fori Imperiali, to worthily close on the 22nd of April 2018 the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman characters featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman characters featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman characters featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman characters featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma
  • Ancient Roman characters featuring at the historical camp set in April 20-22, 2018 at Circus Maximus, during the celebrations of the founding of Rome, in Italy called Natale di Roma

March 2018

  • Maerten van Heemskerck, Bullfight in Antique Arena, 1552
  • Interior of the Colosseum at night
  • Interior passageway in the Colosseum
  • View from the Colosseum
  • Ancient marbles from the Colosseum
  • Handrail termination of "vomitorium"
  • The interior of the Flavian Amphitheater, Rome
  • The interior of the Flavian Amphitheater, Rome
  • The underground of the Flavian Amphitheater, Rome
  • The Colosseum by Carlo Lucangeli
  • Marble balustrade fragments from the Colosseum
  • Balustrade from the Colosseum

December

  • François Bonneville, Quatremère de Quincy, ca. 1787 (?)
  • Felice Giani (1758-1823), Altare patrio a piazza San Pietro per la Festa della Federazione
  • Felice Giani (1758-1823), Arco trionfale eretto a ponte Sant’Angelo per la Festa della Federazione

September

  • An international colloquium on writing a monumental history in Ancient Rome
  • An international colloquium on writing a monumental history in Ancient Rome
  • An international colloquium on writing a monumental history in Ancient Rome
  • An international colloquium on writing a monumental history in Ancient Rome
  • An international colloquium on writing a monumental history in Ancient Rome

January 2017

  • Entrance to the Domus Aurea, Rome
  • Domus Aurea plan
  • Detail of a window, Grande Criptoportico (92), 1st century AD, Domus Aurea, Rome
  • Detail of a mural decoration, 1st century AD, Domus Aurea, Rome
  • Detail of a decoration on a wall, Grande Criptoportico (92), 1st century AD, Domus Aurea, Rome
  • Ambiente 41, 1st century AD, Domus Aurea, Rome
  • Detail of a decoration on a wall, Grande Criptoportico (92), 1st century AD, Domus Aurea, Rome
  • Ambiente 42, 1st century AD, Domus Aurea, Rome
  • Mural paintings, 1st century AD, Domus Aurea, Rome
  • Octagonal room, 1st century AD, Domus Aurea, Rome
  • Interior passageway, 1st century AD, Domus Aurea, Rome
  • Grande Criptoportico (92), 1st century AD, Domus Aurea, Rome
  • Octagonal room, 1st century AD, Domus Aurea, Rome
  • Mosaic pavement, 1st century AD, Domus Aurea, Rome
  • Interior of one of the radial rooms next to the octagonal room, 1st century AD, Domus Aurea, Rome
  • Room preserving a mosaic pavement, 1st century AD, Domus Aurea, Rome
  • Sala della Volta delle Civette (29), 1st century AD, Domus Aurea, Rome
  • Sala di Achille a Sciro (119), 1st century AD, Domus Aurea, Rome
  • Detail of a mural decoration, 1st century AD, Domus Aurea, Rome
  • Grande Criptoportico (92), 1st century AD, Domus Aurea, Rome
  • Ninfeo di Ulisse e Polifemo, 1st century AD, Domus Aurea, Rome
  • Detail of a mural decoration, 1st century AD, Domus Aurea, Rome
  • Grande Criptoportico (92), 1st century AD, Domus Aurea, Rome
  • Interior passageway, 1st century AD, Domus Aurea, Rome
  • Mural paintings, 1st century AD, Domus Aurea, Rome
  • Octagonal room, 1st century AD, Domus Aurea, Rome
  • Mural paintings, 1st century AD, Domus Aurea, Rome
  • Interior, 1st century AD, Domus Aurea, Rome
  • Sala di Ettore e Andromaca (129), 1st century AD, Domus Aurea, Rome
  • Corridoio 79, 1st century AD, Domus Aurea, Rome
  • Sala di Achille a Sciro (119), 1st century AD, Domus Aurea, Rome
  • Detail of a decoration on a wall, Cortile Pentagonale, 1st century AD, Domus Aurea, Rome
  • Ambiente 86, 1st century AD, Domus Aurea, Rome

November

  • The late 15th century façade of the basilica di Sant'Agostino in Campo Marzio, Rome
  • Entrance to the Biblioteca Angelica, Rome
  • Entrance to the Biblioteca Angelica, Rome
  • Memorial relief dedicated to Angelo Rocca, 1764, vestibule of Biblioteca Angelica, Rome
  • Inscriptions dedicated to Augustinian donors Monsignor Saverio Cristiani (left) and Agostino Antonio Giorgi (right), 1803, vestibule of Biblioteca Angelica, Rome
  • The readers' seats at the Biblioteca Angelica, Rome
  • Old books on display at the Biblioteca Angelica, Rome
  • The readers' seats at the Biblioteca Angelica, Rome
  • The readers' seats at the Biblioteca Angelica, Rome
  • Francisco Hernandez, Rerum medicarum Novae Hispaniae thesaurus seu Plantarum animalium mineralium Mexicanorum historia, Romae, ex typographeio Vitalis Mascardi, 1651, Biblioteca Angelica, Rome
  • Gaspare Sibilla, marble bust depicting cardinal Egidio Colonna, 18th century, Biblioteca Angelica, Rome
  • Old books on the wooden shelves at the Biblioteca Angelica, Rome
  • Francesco Moratti, marble bust depicting cardinal Enrico Noris
  • Old books on the wooden shelves at the Biblioteca Angelica, Rome
  • Interior of the Biblioteca Angelica, Rome
  • Old books on the wooden shelves at the Biblioteca Angelica, Rome
  • Left wall of the "vaso" at the Biblioteca Angelica, Rome
  • Old books at the Biblioteca Angelica, Rome
  • Salone (or vaso) Vanvitelliano, interior of the Biblioteca Angelica, Rome

October

  • Emanuele Rodriguez Dos Santos and Domenico Barbiani, Façade of Chiesa di Santa Maria Maddalena (detail), 1735, Rome
  • Giuseppe Vasi, Convento dei Ministri degli Infermi e Chiesa di S. Maria Maddalena [...], engraving, 1756
  • Emanuele Rodriguez Dos Santos and Domenico Barbiani, Façade of Chiesa di Santa Maria Maddalena (detail), 1735, Rome
  • Domenico Barbiani and Antonio Cataldi, Wooden choir, 1729-1732 (upper part), 1737 (lower part), counter-façade of chiesa di Santa Maria Maddalena, Rome
  • Ceiling of the chiesa di Santa Maria Maddalena, Rome
  • Domenico Barbiani and Antonio Cataldi, Wooden choir, 1729-1732 (upper part), 1737 (lower part), counter-façade of chiesa di Santa Maria Maddalena, Rome
  • Left wall of Sagrestia della Maddalena (Sacristy of chiesa di Santa Maria Maddalena), 1738-1740
  • Emanuele Rodriguez Dos Santos, Francesco Rosa, Gerolamo Pesce, Domenico Vellani and Domenico Barbiani, Sagrestia della Maddalena (Sacristy of chiesa di Santa Maria Maddalena), 1738-1740
  • Emanuele Rodriguez Dos Santos, Francesco Rosa, Gerolamo Pesce, Domenico Vellani and Domenico Barbiani, Sagrestia della Maddalena (Sacristy of chiesa di Santa Maria Maddalena), 1738-1740
  • Gerolamo Pesce and Domenico Vellani, Saint Camillo in glory with Saint Filippo Neri, 1738, fresco and tempera, Rome, ceiling of Sagrestia della Maddalena (Sacristy of chiesa di Santa Maria Maddalena)
  • Right wall of Sagrestia della Maddalena (Sacristy of chiesa di Santa Maria Maddalena), 1738-1740
  • Emanuele Rodriguez Dos Santos, Francesco Rosa, Gerolamo Pesce, Domenico Vellani and Domenico Barbiani, Sagrestia della Maddalena (Sacristy of chiesa di Santa Maria Maddalena), 1738-1740
  • Domenico Barbiani and Antonio Cataldi, Wooden choir, 1729-1732 (upper part), 1737 (lower part), counter-façade of chiesa di Santa Maria Maddalena, Rome
  • Interior of the chiesa di Santa Maria Maddalena, Rome
  • Emanuele Rodriguez Dos Santos, Francesco Rosa, Gerolamo Pesce, Domenico Vellani and Domenico Barbiani, Sagrestia della Maddalena (Sacristy of chiesa di Santa Maria Maddalena), 1738-1740
  • Filippo Passarini (1638 - 1698), Design for carriages with ornamentation of foliage and putti, 1698, etching
  • Emanuele Rodriguez Dos Santos and Domenico Barbiani, Façade of Chiesa di Santa Maria Maddalena, 1735, Rome
  • Emanuele Rodriguez Dos Santos and Domenico Barbiani, Façade of Chiesa di Santa Maria Maddalena (detail), 1735, Rome
  • Emanuele Rodriguez Dos Santos and Domenico Barbiani, Façade of Chiesa di Santa Maria Maddalena, 1735, Rome
  • Juste Aurèle Meissonier (1695 – 31 July 1750), engraved design for a side table, ca. 1730, engraving, Paris

September

  • Michelangelo Merisi da Caravaggio, Judith Beheading Holofernes, ca. 1599
  • Michelangelo Merisi da Caravaggio, Judith Beheading Holofernes (detail)
  • Michelangelo Merisi da Caravaggio, Judith Beheading Holofernes (detail), ca. 1599
  • Michelangelo Merisi da Caravaggio, The Martyrdom of Saint Matthew (detail), ca. 1599-1600
  • Michelangelo Merisi da Caravaggio, Madonna di Loreto or Madonna dei Pellegrini (detail), ca. 1604–1606
  • Michelangelo Merisi da Caravaggio, Madonna di Loreto or Madonna dei Pellegrini, ca. 1604–1606
  • Rome, chiesa di San Luigi dei Francesi, Contarelli chapel
  • The visit guided by Caterina Panetta of Through Eternity in Rome, chiesa di San Luigi dei Francesi, Contarelli chapel
  • The visit guided by Caterina Panetta of Through Eternity in Rome, chiesa di San Luigi dei Francesi, Contarelli chapel
  • The visit guided by Caterina Panetta of Through Eternity in Rome, chiesa di San Luigi dei Francesi, Contarelli chapel
  • The small group of visitors guided by Caterina Panetta of Through Eternity, Rome, Galleria Nazionale d'Arte Antica a Palazzo Barberini
  • The small group of visitors guided by Caterina Panetta of Through Eternity, Rome, Galleria Nazionale d'Arte Antica a Palazzo Barberini
  • The small group of visitors guided by Caterina Panetta of Through Eternity, Rome, Galleria Nazionale d'Arte Antica a Palazzo Barberini

August

  • Galileo Galilei, Sepia-wash drawings of the moon phases, ca. 1609, Florence, Biblioteca Nazionale Centrale di Firenze
  • Justus Sustermans (1597–1681), Portrait of Galileo Galilei, 1636
  • Interior of the Pauline chapel at the basilica di Santa Maria Maggiore, Rome
  • Cavalier d'Arpino, Prophet Isaiah, 1610-1612
  • Giovanni Baglione, Four Doctors of the Church, four popes and the Dove of the Holy Spirit, 1610-1612, fresco painting, vault of the anti-chapel
  • Interior of the Pauline chapel at the basilica di Santa Maria Maggiore, Rome
  • Ludovico Cardi called il Cigoli, Detail of the Virgin Mary and the Heavenly kingdom with nine angelic orders, 1610-1612
  • Ludovico Cardi called il Cigoli, Virgin Mary and the Heavenly kingdom with nine angelic orders, 1610-1612
  • Ludovico Cardi, Self-portrait, ca. 1604
  • Interior of the Pauline chapel at the basilica di Santa Maria Maggiore, Rome
  • Michelangelo Merisi da Caravaggio (1571–1610) attr., Portrait of Paulus V born Camillo Borghese, ca. 1605–1606, oil on canvas (203 cm × 119) cm, Rome, Galleria Borghese
  • Interior of the Pauline chapel at the basilica di Santa Maria Maggiore, Rome
  • Italian anonymous, Pope Clemente VIII, 17th century
  • Entrance to the Pauline chapel at the basilica di Santa Maria Maggiore, Rome
  • Interior of the basilica di Santa Maria Maggiore, Rome
  • Cosmatesque pavement of the basilica di Santa Maria Maggiore, Rome
  • Counterfaçade of the basilica di Santa Maria Maggiore, Rome
  • Holy Door of the basilica di Santa Maria Maggiore in Rome open in August 2016 during the extraordinary Jubilee of Mercy
  • Holy Door of the basilica di Santa Maria Maggiore in Rome when it was still closed
  • Detail of the basilica di Santa Maria Maggiore façade, Rome
  • Giuseppe Vasi (1710–1782), The Piazza and Church of Santa Maria Maggiore, 1747
  • Interior of the basilica di Santa Maria Maggiore, Rome
  • Giovanni Paolo Panini (1692–1765), The Piazza and Church of Santa Maria Maggiore, 1744, oil on canvas, Palazzo Quirinale, Rome
  • Interior of the basilica di Santa Maria Maggiore, Rome
  • Façade of the basilica di Santa Maria Maggiore, Rome
  • Entrance to the Palazzo di Venezia in via del Plebiscito, open on the occasion of “Il giardino ritrovato” initiative on 2016 summer nights
  • Scalone monumentale (monumental staircase) visited during the tour by night of Palazzo Venezia in Rome, guided by the museum director Sonia Martone, on the occasion of “Il giardino ritrovato” initiative on 2016 summer nights
  • Anteroom of the Cybo apartment visited during the tour by night of Palazzo Venezia in Rome, guided by the museum director Sonia Martone, on the occasion of “Il giardino ritrovato” initiative on 2016 summer nights
  • Scale model of the Palazzo Venezia building complex on display in the anteroom of the Cybo apartment visited during the tour by night of Palazzo Venezia in Rome
  • Detail of the painting decoration at the Sala regia, belonging to the monumental halls visited during the tour by night of Palazzo Venezia in Rome
  • Sala del Concistoro o delle Battaglie, belonging to the monumental halls visited during the tour by night of Palazzo Venezia in Rome, guided by the museum director Sonia Martone, on the occasion of “Il giardino ritrovato” initiative on 2016 summer nights
  • Fireplace of Sala del Mappamondo, belonging to the monumental halls visited during the tour by night of Palazzo Venezia in Rome, guided by the museum director Sonia Martone, on the occasion of “Il giardino ritrovato” initiative on 2016 summer nights
  • Sala del Mappamondo, belonging to the monumental halls visited during the tour by night of Palazzo Venezia in Rome, guided by the museum director Sonia Martone, on the occasion of “Il giardino ritrovato” initiative on 2016 summer nights
  • Sala del Mappamondo, belonging to the monumental halls visited during the tour by night of Palazzo Venezia in Rome, guided by the museum director Sonia Martone, on the occasion of “Il giardino ritrovato” initiative on 2016 summer nights
  • View of Rome from the Loggia delle Benedizioni above the basilica di San Marco Evangelista al Campidoglio directly accessible from the palace, visited during the tour by night of Palazzo Venezia in Rome
  • Loggia delle Benedizioni above the basilica di San Marco Evangelista al Campidoglio directly accessible from the palace, visited during the tour by night of Palazzo Venezia in Rome, guided by the museum director Sonia Martone, on the occasion of “Il giardino ritrovato” initiative on 2016 summer nights
  • The recently restored and opened courtyard of Palazzo Venezia in Rome, on the occasion of “Il giardino ritrovato” initiative on 2016 summer nights
  • Tour by night of Palazzo Venezia in Rome, guided by the museum director Sonia Martone, on the occasion of “Il giardino ritrovato” initiative on 2016 summer nights
  • The recently restored and opened courtyard of Palazzo Venezia in Rome, on the occasion of “Il giardino ritrovato” initiative on 2016 summer nights
  • The recently restored and opened courtyard of Palazzo Venezia in Rome, on the occasion of “Il giardino ritrovato” initiative on 2016 summer nights
  • The recently restored and opened courtyard of Palazzo Venezia in Rome, on the occasion of “Il giardino ritrovato” initiative on 2016 summer nights
  • The recently restored and opened courtyard of Palazzo Venezia in Rome, on the occasion of “Il giardino ritrovato” initiative on 2016 summer nights
  • "Raffaello mai visto" art conversation with Paolo Violini, curated by Marco Ruffini, 9 August 2016, Rome, Palazzo Venezia courtyard
  • "Raffaello mai visto" art conversation with Paolo Violini, curated by Marco Ruffini, 9 August 2016, Rome, Palazzo Venezia courtyard
  • "Raffaello mai visto" art conversation with Paolo Violini, curated by Marco Ruffini, 9 August 2016, Rome, Palazzo Venezia courtyard
  • "Raffaello mai visto" art conversation with Paolo Violini, curated by Marco Ruffini, 9 August 2016, Rome, Palazzo Venezia courtyard
  • "Raffaello mai visto" art conversation with Paolo Violini, curated by Marco Ruffini, 9 August 2016, Rome, Palazzo Venezia courtyard
  • "Raffaello mai visto" art conversation with Paolo Violini, curated by Marco Ruffini, 9 August 2016, Rome, Palazzo Venezia courtyard
  • "Raffaello mai visto" art conversation with Paolo Violini, curated by Marco Ruffini, 9 August 2016, Rome, Palazzo Venezia courtyard
  • "Raffaello mai visto" art conversation with Paolo Violini, curated by Marco Ruffini, 9 August 2016, Rome, Palazzo Venezia courtyard
  • "Raffaello mai visto" art conversation with Paolo Violini, curated by Marco Ruffini, 9 August 2016, Rome, Palazzo Venezia courtyard
  • "Raffaello mai visto" art conversation with Paolo Violini, curated by Marco Ruffini, 9 August 2016, Rome, Palazzo Venezia courtyard
  • Interior of chiesa di Santa Maria ai Monti, Rome
  • • Sepulchral monument of Saint Benedetto Giuseppe Labre (Amettes 1748 - Rome 1783)
  • Vault of chiesa di Santa Maria ai Monti, Rome
  • Virgin Mary with Child, standing Saints Stefano and Lorenzo and kneeling Saints Agostino and Francesco, fresco dating to the beginning of the 15th century, high altar of chiesa di Santa Maria ai Monti, Rome
  • Sacristy of chiesa di Santa Maria ai Monti, Rome
  • Dome interior of chiesa di Santa Maria ai Monti, Rome. The dome is divided in eight slices and it is frescoed by Cesare Nebbia and Orazio Gentileschi (1599-1600)
  • Virgin Mary with Child, standing Saints Stefano and Lorenzo and kneeling Saints Agostino and Francesco, fresco dating to the beginning of the 15th century, high altar of chiesa di Santa Maria ai Monti, Rome
  • Interior of chiesa di Santa Maria ai Monti, Rome
  • Virgin Mary with Child, standing Saints Stefano and Lorenzo and kneeling Saints Agostino and Francesco, fresco dating to the beginning of the 15th century, high altar of chiesa di Santa Maria ai Monti, Rome
  • Side exterior of chiesa di Santa Maria ai Monti viewed from the homonym piazza, Rome
  • Giacomo Della Porta, façade of Santa Maria ai Monti, travertine, begun in 1580
  • Samuel Stillman Osgood (1808-1885), Edgar Allan Poe
  • Carl Gustav Carus (1789–1869), View of the Colosseum by Night

July

  • The medieval Borgo di Pratica, in the area of the ancient Lavinium
  • Entrance to the Museo Civico Archeologico "Lavinium", Pomezia (RM)
  • Votive sculpture from the sacred area of the Thirteen Altars, fourth room of Civitas religiosa, Museo Civico Archeologico "Lavinium", Pomezia (RM)
  • Terracotta statue of Minerva Tritonia, from the Minerva sanctuary, dating to the 5th century BC, first room of Tritonia Virgo, Museo Civico Archeologico "Lavinium", Pomezia (RM)
  • Recreation of the monument identified as the shrine dedicated to the hero Aeneas (Heroon of Aeneas), located near the sanctuary of the Thirteen Altars, fifth room of Aeneas indiges, Museo Civico Archeologico "Lavinium", Pomezia (RM)
  • Votive terracotta head coming from the store of Minerva sanctuary at Lavinium, second room of Mundus muliebris, Museo Civico Archeologico "Lavinium", Pomezia (RM)
  • Terracotta statues representing the devotees to Minerva, from the votive store related to the Minerva sanctuary, dating between 5th-3rd century BC, first room of Tritonia Virgo, Museo Civico Archeologico "Lavinium", Pomezia (RM)
  • Terracotta statues representing the devotees to Minerva, from the votive store related to the Minerva sanctuary, dating between 5th-3rd century BC, first room of Tritonia Virgo, Museo Civico Archeologico "Lavinium", Pomezia (RM)
  • Terracotta young female statue with curls, from the votive store related to the Minerva sanctuary, second half of the 4th century BC, first room of Tritonia Virgo, Museo Civico Archeologico "Lavinium", Pomezia (RM)
  • Terracotta female statue with ball, from the votive store related to the Minerva sanctuary, first half of the 5th century BC, first room of Tritonia Virgo, Museo Civico Archeologico "Lavinium", Pomezia (RM)
  • Terracotta female statue with dove, from the votive store related to the Minerva sanctuary, dating to the mid-5th century BC, first room of Tritonia Virgo, Museo Civico Archeologico "Lavinium", Pomezia (RM)
  • Terracotta female statue wearing tunic and mantle, from the votive store related to the Minerva sanctuary, dating to the 3rd century BC, first room of Tritonia Virgo, Museo Civico Archeologico "Lavinium", Pomezia (RM)
  • Terracotta veiled female statue, from the votive store related to the Minerva sanctuary, dating to the 4th century BC, first room of Tritonia Virgo, Museo Civico Archeologico "Lavinium", Pomezia (RM)
  • Display of jewels and spinning tools among the feminine grave goods from Lavinium necropolis, dating around 8th-7th century BC, second room of Mundus muliebris, Museo Civico Archeologico "Lavinium", Pomezia (RM)
  • Votive terracotta head coming from the store of Minerva sanctuary at Lavinium, second room of Mundus muliebris, Museo Civico Archeologico "Lavinium", Pomezia (RM)
  • Votive terracotta head coming from the store of Minerva sanctuary at Lavinium, second room of Mundus muliebris, Museo Civico Archeologico "Lavinium", Pomezia (RM)
  • Votive terracotta bust coming from the store of Minerva sanctuary at Lavinium, second room of Mundus muliebris, Museo Civico Archeologico "Lavinium", Pomezia (RM)
  • Simulation of a loom with a series of weights hanging from the warp threads in order to stretch the weaving, second room of Mundus muliebris, Museo Civico Archeologico "Lavinium", Pomezia (RM)
  • Small scale reconstruction of a Late Bronze ship, third room of Hic domus Aeneae, Museo Civico Archeologico "Lavinium", Pomezia (RM)
  • Vases of Greek manufacture, 6th century BC, from the sacred area of the Thirteen Altars, fourth room of Civitas religiosa, Museo Civico Archeologico "Lavinium", Pomezia (RM)
  • Vase of Greek manufacture, 6th century BC, from the sacred area of the Thirteen Altars, fourth room of Civitas religiosa, Museo Civico Archeologico "Lavinium", Pomezia (RM)
  • Votive sculpture from the sacred area of the Thirteen Altars, fourth room of Civitas religiosa, Museo Civico Archeologico "Lavinium", Pomezia (RM)
  • Votive sculpture from the sacred area of the Thirteen Altars, fourth room of Civitas religiosa, Museo Civico Archeologico "Lavinium", Pomezia (RM)
  • Bronze statuettes from Minerva sanctuary, fourth room of Civitas religiosa, Museo Civico Archeologico "Lavinium", Pomezia (RM)
  • Mixture ceramic paraphernalia and miniaturized paraphernalia made of bronze thin sheet, fourth room of Civitas religiosa, Museo Civico Archeologico "Lavinium", Pomezia (RM)
  • False double tufa door coming from the monumental façade of the so-called Heroon of Aeneas, fifth room of Aeneas indiges, Museo Civico Archeologico "Lavinium", Pomezia (RM).
  • Fifth room of Aeneas indiges, Museo Civico Archeologico "Lavinium", Pomezia (RM)
  • Detail of Sala Aldobrandini, Palazzo Doria Pamphilj, Rome
  • Entrance vestibule, Palazzo Doria Pamphilj, Rome
  • Salone del Poussin, Palazzo Doria Pamphilj, Rome
  • Salone dei Velluti, Palazzo Doria Pamphilj, Rome
  • Galleria Aldobrandini, 1st wing, Palazzo Doria Pamphilj, Rome
  • Galleria degli Specchi, 2nd wing, Palazzo Doria Pamphilj, Rome
  • Gabinetto di Velázquez, Palazzo Doria Pamphilj, Rome
  • Galleria degli Specchi, 2nd wing, Palazzo Doria Pamphilj, Rome
  • Galleria Pamphilj, 3rd wing, Palazzo Doria Pamphilj, Rome
  • Alessandro Algardi from Bologna, Portrait of Olimpia Maidalchini Pamphilj (Viterbo, 1591 – San Martino al Cimino, 1657), mid-17th century, marble, Galleria Doria, 4th wing, Palazzo Doria Pamphilj, Rome
  • Galleria Doria, 4th wing, Palazzo Doria Pamphilj, Rome
  • Sala Aldobrandini, Palazzo Doria Pamphilj, Rome
  • Detail of Sala Aldobrandini, Palazzo Doria Pamphilj, Rome
  • Entrance to Sala Aldobrandini, Palazzo Doria Pamphilj, Rome
  • Sala dei Primitivi, Palazzo Doria Pamphilj, Rome
  • Detail of Sala dei Primitivi, Palazzo Doria Pamphilj, Rome
  • Saletta Verde, Palazzo Doria Pamphilj, Rome
  • Il Palazzo Pamphilj ad Albano, fourth room towards via del Corso, Palazzo Doria Pamphilj, Rome
  • Jodocus van Hamme (Woerden ca. 1603 - Paris 1655) (attr.), Portrait of Olimpia Maidalchini, Il casino delle delizie a Ripagrande, first room towards via del Corso, Palazzo Doria Pamphilj, Rome.
  • Ceiling of Galleria degli Specchi, 2nd wing, Palazzo Doria Pamphilj, Rome
  • Doria Pamphilj coat of arms, tapestry, Courtyard at Palazzo Doria Pamphilj, Rome
  • Saletta Verde, Palazzo Doria Pamphilj, Rome
  • Michelangelo Merisi da Caravaggio, Maria Magdalena, Sala Aldobrandini, Palazzo Doria Pamphilj, Rome
  • Michelangelo Merisi da Caravaggio, Rest on the Flight into Egypt, Sala Aldobrandini, Palazzo Doria Pamphilj, Rome
  • Michelangelo Merisi da Caravaggio, John the Baptist, Sala Aldobrandini, Palazzo Doria Pamphilj, Rome.

June

  • Giovanni Battista Nolli, Detail showing the complex of San Giovanni Decollato, from the New Plan of Rome (Nuova Pianta di Roma), 1748
  • Francesco Salviati, The Visitation (Visitazione), 1538, right wall at the Oratory of San Giovanni Decollato, Rome
  • Pirro Ligorio (attr.), Dance of Salome (Danza di Salomè), ca. 1544 (?), left wall at the Oratory of San Giovanni Decollato, Rome
  • Battista Franco, Arrest of the Baptist (Arresto del Battista), ca. 1543, left wall at the Oratory of San Giovanni Decollato, Rome
  • Francesco Salviati, Nativity of the Baptist (Nascita del Battista), 1551, right wall at the Oratory of San Giovanni Decollato, Rome
  • Unidentified artist following Francesco Salviati, Beheading of the Baptist (Decollazione del Battista), 1553, left wall at the Oratory of San Giovanni Decollato, Rome
  • Jacopino del Conte, Annunciation to Zechariah (Annuncio a Zaccaria), 1536-38, mural painting, right wall at the Oratory of San Giovanni Decollato, Rome
  • Entrance wall at the Oratory of San Giovanni Decollato, Rome
  • Cloister of San Giovanni Decollato, ca. 1535-55, re-built around 1600, Rome
  • Counter-façade of the chiesa di San Giovanni Decollato, Rome
  • Follower of Michelangelo, Beheading of the Baptist (Decollazione del Battista), late 16th century, right wall at the chiesa di San Giovanni Decollato, Rome
  • Interior of the chiesa di San Giovanni Decollato, Rome
  • Façade of the chiesa di San Giovanni Decollato on the right; entrance to the complex of San Giovanni Decollato on the left, Rome
  • Façade and exterior of the chiesa di San Giovanni Decollato on the right; entrance to the complex of San Giovanni Decollato on the left, Rome
  • Letterbox on the right of the entrance to the complex of San Giovanni Decollato, Rome
  • Alms box on the left of the entrance to the complex of San Giovanni Decollato, Rome
  • Jacopino del Conte, Sermon of Saint John the Baptist (Predica del Battista), 1538, mural painting, before restoration works (2005-2014), Rome, San Giovanni Decollato, Oratory
  • Jacopino del Conte, The Baptism of Christ (Battesimo di Cristo), 1541, mural painting, before restoration works (2005-2014), Rome, San Giovanni Decollato, Oratory
  • Francesco Salviati, Detail of the Visitation (Visitazione), 1538, mural painting before restoration works (2005-2014), Rome, San Giovanni Decollato, Oratory
  • Francesco Salviati, Detail of the Visitation (Visitazione), 1538, mural painting before restoration works (2005-2014), Rome, San Giovanni Decollato, Oratory
  • Altar wall at the Oratory of San Giovanni Decollato, Rome

May

  • Circle of Maarten van Heemskerck, The Colonna "loggia" at the Quirinal, 1534 - 1536
  • Palazzo Colonna, engraving from G. Vasi and G. Bianchini, Delle magnificenze di Roma antica e moderna libro quarto, 1754
  • Grande Galleria, Palazzo Colonna, Rome‬
  • View of Rome from Palazzo Colonna
  • Entrance courtyard, Palazzo Colonna, Rome
  • Entrance to Galleria Colonna, via della Pilotta 17, Rome
  • Carlo Maratta and Giovanni Stanchi, Mirror painted with a garland of flowers and four putti, ca. 1660s, Grande Galleria, Palazzo Colonna
  • Grande Galleria, Palazzo Colonna, Rome‬
  • Giovanni Coli and Filippo Gherardi, Commemorative frescoes dedicated to Marcantonio II Colonna, protagonist of the Christian victory at the Battle of Lepanto, 17th century
  • Annibale Carracci, The Beaneater (Italian: Il mangiafagioli) ca. 1583-1585, Sala dell'Apoteosi di Martino V, Galleria Colonna
  • Detail from the Sala del Trono, Galleria Colonna, Rome
  • Copy of Antonio Pisani, called Pisanello, Portrait of pope Martino V, born Oddone Colonna (Genazzano, 1368 - Rome, 1431), 15th century, Sala del Trono
  • Manufacture from Bruxelles, Tapestry representing court scenes, beginning of the 16th century, Sala dell'Arazzo
  • Giovanni Maria Tamburini, Siege of Casale Monferrato (l’assedio di Casale Monferrato), 17th century, Sala dei Ricami
  • Tapestry depicting a coat of arms with Colonna and Pamphilj emblems referring to the marriage between Filippo II Colonna and Olimpia Pamphilj around 1695, 17th century
  • Franz and Dominikus Steinhart, following a project by Carlo Fontana, Chest made of ebony and ivory (detail of the central plate reproducint the Last Judgment by Michelangelo Buonarroti, 17th century, Sala dei Paesaggi
  • Franz and Dominikus Steinhart, following a project by Carlo Fontana, Chest made of ebony and ivory, 17th century, Sala dei Paesaggi
  • Wall of the Grande Galleria, Palazzo Colonna, Rome
  • Attributed to Jacopo Bighi, Portrait of the cardinal Girolamo Colonna
  • Jacob Ferdinand Voet, Portrait of Lorenzo Onofrio Colonna, ca. 1684-1689

April

  • Medieval well visible along the early medieval street running along the southern wall the porticus Minucia, Rome‬, Museo Nazionale Romano - Crypta Balbi
  • Modern cellars visible along the early medieval street running along the southern wall the porticus Minucia, Rome‬, Museo Nazionale Romano - Crypta Balbi
  • Accessories discovered in an archaeological deposit dating to the 7th century, Rome‬, Museo Nazionale Romano - Crypta Balbi
  • Reconstruction of the archaeological context where 360 coins were found in the drain below the latrine, located in the exedra of the Crypta Balbi, once it had stopped being used, at the beginning of the 5th century AD, Rome‬, Museo Nazionale Romano - Crypta Balbi
  • One of the pilasters dating to the imperial period and belonging to the Theatrum Balbi portico, Rome‬, Museo Nazionale Romano - Crypta Balbi
  • Stratigraphy of the medieval houses interiors, leaning against the northern perimetral wall of the Crypta Balbi, Rome‬, Museo Nazionale Romano - Crypta Balbi
  • Modern cellars visible along the early medieval street running along the southern wall the porticus Minucia, Rome‬, Museo Nazionale Romano - Crypta Balbi
  • Coins from a 7th c. deposit, Byzantine era, Rome‬, Museo Nazionale Romano - Crypta Balbi
  • Painted ceramic vases and clay jars, between mid-16th century and beginning of the 17th century, Rome‬, Museo Nazionale Romano - Crypta Balbi
  • Golden ring with gem from imperial times, Rome‬, Museo Nazionale Romano - Crypta Balbi
  • Second floor of the Crypta Balbi museum, Rome‬, Museo Nazionale Romano - Crypta Balbi
  • Reconstructed arches along the archaeological itinerary, Rome‬, Museo Nazionale Romano - Crypta Balbi
  • Fontana dei Leoni in piazza del Popolo, Rome
  • Fontana dei Leoni in piazza del Popolo, Rome
  • Fontana dei Leoni in piazza del Popolo, Rome
  • Fontana dei Leoni in piazza del Popolo, Rome

March

  • Milestone Rome map
  • Area Sacra di Largo Argentina, Rome
  • Historical re-enactment of Caesar's assassination at the Area Sacra di Largo di Torre Argentina, Rome
  • Vincenzo Camuccini, The death of Caesar (La morte di Cesare), 1804 - 1805, Rome, GNAM
  • Robert Adam, Giovanni Battista Piranesi, Map of Campus Martius, 1762, etching
  • Giacomo Lauro, Circus Flaminius, part of the series Antiquae Urbis Splendor, 1641, engraving
  • Wall once belonging to the Forum Pacis, now incorporated into the complex of the basilica dei Santi Cosma e Damiano, Rome.
  • Giovanni Battista Piranesi, Plan of Rome (Pianta di Roma), 1756, etching
  • Giovanni Battista Piranesi, Plan of Rome (Pianta di Roma), detail, 1756, etching
  • Giuseppe Vasi, Palazzo Maffei Marescotti alla Pigna, Rome, 1746, engraving.
  • Supposed set-up of the Forma Urbis Romae on the wall of the Forum Pacis
  • Forma Urbis Romae, Vatican fragment, ca. 203-211 AD, proconnesio marble, Musei in Comune, Rome
  • Forma Urbis Romae, Fragments belonging to slab n. 31, ca. 203-211 AD, proconnesio marble, Musei in Comune, Rome
  • Forma Urbis Romae, Fragments belonging to slab n. 31, ca. 203-211 AD, proconnesio marble, Musei in Comune, Rome
  • The southern area of Circus Flaminius in Campus Martius, Rome, detail of Italo Gismondi, Model reconstruction of the city of Rome in the age of Constantine at a scale of 1:250, Rome, Museo della Civiltà Romana.
  • Rodolfo Lanciani, Forma Urbis Romae, plate XXI

February

  • Portrait of Francesco Borromini at the sacristy of San Carlo alle Quattro Fontane complex
  • The Nave of chiesa di San Giuseppe, Milan
  • Francesco Borromini, dome interior of the chiesa di San Carlo alle Quattro Fontane, also called "San Carlino"
  • Francesco Borromini, cloister of San Carlo alle Quattro Fontane complex
  • Francesco Borromini, detail of the balustrade at the cloister of San Carlo alle Quattro Fontane complex
  • Detail with a stone emblem of the Trinitarian Order, exterior of the San Carlo alle Quattro Fontane complex
  • Francesco Borromini, Bernardo Castelli Borromini, façade of the chiesa di San Carlo alle Quattro Fontane, also called "San Carlino"
  • Francesco Borromini, exterior of the San Carlo alle Quattro Fontane complex, ca. 1634 – 1665
  • Francesco Borromini, right side of the chiesa di San Carlo alle Quattro Fontane, also called "San Carlino"
  • Francesco Borromini, left side of the chiesa di San Carlo alle Quattro Fontane, also called "San Carlino"
  • Sebastiano Giannini, floor plan of San Carlo alle Quattro Fontane complex, ca. 1730
  • Sebastiano Giannini, section of San Carlo alle Quattro Fontane complex, ca. 1730
  • Francesco Borromini, interior of the chiesa di San Carlo alle Quattro Fontane, also called "San Carlino"
  • Façade of Palazzo Erba Odescalchi, Milan
  • Orazio Borgianni (1578–1616), St. Carlo Borromeo adoring the Trinity, ca. 1611-1612, sacristy of chiesa di San Carlo alle Quattro Fontane
  • Façade of the basilica di San Pietro in Vaticano
  • Antechamber of the Brancaccio princes' alcove room, Museo Nazionale d'Arte Orientale "Giuseppe Tucci", Rome
  • Entrance to Palazzo Brancaccio, seat of the Museo Nazionale d'Arte Orientale "Giuseppe Tucci", Rome
  • Ninfeo at the garden of Palazzo Brancaccio, Museo Nazionale d'Arte Orientale "Giuseppe Tucci", Rome
  • Wall slate with funerary destination depicting a hunting scene, terracotta, Han dynasty, Museo Nazionale d'Arte Orientale "Giuseppe Tucci", Rome
  • Polychrome porcelains from East Asia, Museo Nazionale d'Arte Orientale "Giuseppe Tucci", Rome
  • Caryatid at the entrance of the Brancaccio princes' alcove room, Museo Nazionale d'Arte Orientale "Giuseppe Tucci", Rome
  • Funeral procession, Ming pottery, Museo Nazionale d'Arte Orientale "Giuseppe Tucci", Rome
  • Interior of the Museo Nazionale d'Arte Orientale "Giuseppe Tucci", Rome
  • Fragment of mural paintings, dating to the 16th century, from West Tibet, Rome, Museo Nazionale d'Arte Orientale "Giuseppe Tucci"
  • The Toilette of Venus, painting by Francesco Gai and assistants, ceiling of Brancaccio princes' alcove room, Museo Nazionale d'Arte Orientale "Giuseppe Tucci", Rome.
  • Façade of Palazzo Brancaccio, seat of the Museo Nazionale d'Arte Orientale "Giuseppe Tucci", Rome
  • Entrance portal of the basilica di Santa Cecilia in Trastevere complex
  • The basilica di Santa Cecilia in Trastevere façade
  • Pietro Cavallini, Head of Christ from the Last Judgment (detail), basilica di Santa Cecilia in Trastevere
  • Pietro Cavallini, Head of an Apostle from the Last Judgment (detail), basilica di Santa Cecilia in Trastevere
  • Pietro Cavallini, Angels from the Last Judgment (detail), basilica di Santa Cecilia in Trastevere
  • Pietro Cavallini, Apostles from the Last Judgment (detail), basilica di Santa Cecilia in Trastevere
  • Pietro Cavallini, Judge Christ with Angels from the Last Judgment (detail), basilica di Santa Cecilia in Trastevere
  • Pietro Cavallini, Apostles on the right from the Last Judgment (detail), basilica di Santa Cecilia in Trastevere
  • Pietro Cavallini, Apostles on the left from the Last Judgment (detail), basilica di Santa Cecilia in Trastevere
  • Pietro Cavallini, Apostle's hands from the Last Judgment (detail), basilica di Santa Cecilia in Trastevere
  • Interior of the basilica di Santa Cecilia in Trastevere
  • The basilica di Santa Cecilia in Trastevere counter façade
  • The Monastery of Benedectine nuns portal
  • The entrance garden of the Museo Nazionale Romano alle Terme di Diocleziano
  • Aula VIII of the Baths of Diocletian
  • Façade of the modern building at the Museo Nazionale Romano alle Terme di Diocleziano
  • The 'chiostro grande' or 'Chiostro di Michelangelo' viewed from the Museo Nazionale Romano alle Terme di Diocleziano
  • Aula VIII of the Baths of Diocletian
  • The beautiful 'chiostro grande' or 'Chiostro di Michelangelo' viewed from the Museo Nazionale Romano alle Terme di Diocleziano
  • The recently restored Chiostro piccolo della Certosa di Santa Maria degli Angeli
  • The recently restored Chiostro piccolo della Certosa di Santa Maria degli Angeli
  • Aula X of the Baths of Diocletian, Museo Nazionale Romano alle Terme di Diocleziano, Rome
  • Equestrian statue of heroized young rider, Aula X, Museo Nazionale Romano alle Terme di Diocleziano
  • Marble sarcophagus representing Dionysus and Ariadne, Aula X, Museo Nazionale Romano alle Terme di Diocleziano
  • The so-called Sepulchre of the Platorinii, rebuilt by Roberto Paribeni on the occasion of the important archeological exhibition in 1911, Aula X, Museo Nazionale Romano alle Terme di Diocleziano.
  • Aula VIII of the Baths of Diocletian
  • The interior of the modern building at the Museo Nazionale Romano alle Terme di Diocleziano, Rome
  • The interior of the modern building at the Museo Nazionale Romano alle Terme di Diocleziano, Rome
  • The interior of the modern building at the Museo Nazionale Romano alle Terme di Diocleziano, Rome
  • The interior of the Museo Nazionale Romano alle Terme di Diocleziano, Rome
  • The entrance garden, Rome, Museo Nazionale Romano alle Terme di Diocleziano
  • The fountain at the entrance garden of the Museo Nazionale Romano alle Terme di Diocleziano

January 2016

  • Agesander, Athenedoros and Polydorus, Laocoön and his Sons
  • Agesander, Athenedoros and Polydorus, Laocoön and his Sons, detail of the younger son Thymbraeus
  • Agesander, Athenedoros and Polydorus, Laocoön and his Sons, detail of Laocoön
  • Parmigianino (1503–1540), Testa del laocoonte (Head of the Laocoön), 1530s
  • Agesander, Athenedoros and Polydorus, Laocoön and his Sons, detail of the older son Antiphantes
  • Laocoön and his Sons, Roman copy of a Hellenistic original dating to ca. the 1st century BC, marble (208 × 163 × 112) cm, Cortile Ottagono, Vatican City, Museo Pio Clementino
  • Marco Dente, Laocoön and his two sons being attacked by serpents
  • Agesander, Athenedoros and Polydorus, Laocoön and his Sons
  • Giovanni Paolo Pannini, Gallery of Views of Ancient Rome, 1758, oil on canvas
  • Death of Laocoön, illustration of text from the Aeneid, ca. 400 AD, Vatican Vergil
  • Jean-Pierre Granger, Sulla fights his way into Rome, wood engraving, 19th century.
  • So-called “Sulla”, free copy after a portrait of an important Roman from the 2nd century BC, Munich, Glyptothek
  • Porta Collina, engraving from Stefano Piale, Vedute antiche e moderne le più interessanti della città di Roma
  • Silvestre David Mirys, Sulla orders to affix the list of the proscribed men, engraving, ca. 1799
  • Plan of Latium with the highlighted via Latina from G. Droysens, Allgemeiner Historischer Handatlas, 1886
  • Bernardino di Betto, called il Pinturicchio, Saint Caterina
  • Raffaello Sanzio, Portrait of Pietro Bembo
  • Tiziano Vecellio, Portrait of Pietro Bembo Cardinal
  • Tiziano Vecellio, Portrait of Pietro Cardinal Bembo
  • Pietro Bembo, Incipit of De Aetna ad Angelum Gabrielem liber
  • Raffaello Sanzio, Self-portrait
  • Federico Barocci, Annunciation
  • Francesco Mazzola called il Parmigianino, Circe offering drink to the companions of Ulysses
  • One of the most beautiful and complete views of Rome from the top of the Janiculum
  • AR Didrachm or Quadrigatus with Janus and Jupiter
  • Aes Grave As with bearded head of Janus
  • Coin (half stater) from the “oath” series: double faced head of Janus and oathing swearing scene

2015

  • Gian Lorenzo Bernini, Self-portrait.
  • Gian Lorenzo Bernini, Transverberation of Saint Teresa
  • Façade of the chiesa di Santa Maria della Vittoria, Rome
  • Interior of the chiesa di Santa Maria della Vittoria, Rome
  • Interior of the chiesa di Santa Maria della Vittoria, Rome, view towards the counter-façade
  • Dome interior of the chiesa di Santa Maria della Vittoria
  • Interior of the chiesa di Santa Maria della Vittoria
  • The sculptural group representing the "Transverberation of Saint Teresa", after restoration
  • A detail of the angel, belonging to the sculptural group of the Transverberation of Saint Teresa
  • Cleaning tests on the reliefs depicting the Cornaro family members in one of the Cornaro chapel choirs
  • Cleaning tests on the statue of Saint Teresa
  • Restoration works performed on the Saint Teresa statue in 2015
  • Cornaro chapel, left side
  • Cornaro chapel, right side
  • Gian Lorenzo Bernini, Transverberation of Saint Teresa, 1647-1652
  • Gian Lorenzo Bernini and assistants, Transverberation of Saint Teresa, 1647-1652
  • Gian Lorenzo Bernini, Transverberation of Saint Teresa
  • Pieter Paul Rubens, Teresa of Ávila
  • Giovan Battista Piranesi, Veduta del Castello dell' Acqua Felice presso le Terme Diocleziane
  • Dome of the Basilica di San Pietro in Vaticano
  • Piazza Mignanelli, Rome, Italy, ca. 1895
  • Icon of Salus Populi Romani
  • Opening of the Holy Door at San Pietro
  • Carlo Maratta, The Immaculate Conception
  • Scipione Pulzone, L’Immacolata
  • Opening of the Holy Door at San Pietro by pope Francesco
  • Jubilee logo
  • Holy Door at San Pietro
  • Opening of the Holy Door at San Pietro by pope Giovanni Paolo II
  • Newly restored Trevi Fountain on the 1st November 2015
  • Newly restored Trevi Fountain on the 1st November 2015
  • Newly restored Trevi Fountain on the 1st November 2015
  • Newly restored Trevi Fountain on the 1st November 2015
  • Pietro da Cortona, Project for the façade of Palazzo Chigi in piazza Colonna, plan, 1658-1659, Vatican City, Biblioteca apostolica Vaticana.
  • Pietro da Cortona, Design for the reconstruction of the Sanctuary of Fortuna Primigenia at Palestrina
  • Pietro da Cortona, Project for the façade of Palazzo Chigi in piazza Colonna, 1658-1659, Vatican City, Biblioteca apostolica Vaticana.
  • Agostino Masucci (ca.1691-1758), Portrait of Pope Clement XII
  • Niccolò V Fountain (1453) with three spouts, woodcut print, 1643.
  • Taddeo di Bartolo, Plan of Rome
  • Giovanni Battista Piranesi, Side View of the Trevi Fountain
  • Luigi Vanvitelli, Proposal for the Trevi Fountain
  • Giovan Battista Falda, Chiesa de Santi Vincenzo, et Anastasio alla fontana di Trevi
  • Nicola Salvi, Project of the Trevi Fountain
  • Carlo Antonini, Roma, Fontana di Trevi, etching (46 x 68) cm, via Nagel Auktionen.
  • Nicola Salvi, Fontana di Trevi, 1732, Rome, (C) David Iliff.
  • Nicola Salvi, Fontana di Trevi, 1732, Rome, (C) Kevin McGill.
  • Giovanni Paolo Pannini, Pope Benedict XIV visiting the Trevi Fountain
  • Anonymous, Project for the Trevi Fountain
  • Ferdinando Fuga, Project for the Trevi Fountain
  • Luigi Vanvitelli (project), Virginio Bracci (drawing), Project A for the Trevi Fountain, front
  • Luigi Vanvitelli (project), Virginio Bracci (drawing), Project A for the Trevi Fountain, plan
  • Vanvitelli - project B for the Trevi Fountain, fron
  • Luigi Vanvitelli (project), Virginio Bracci (drawing), Project B for the Trevi Fountain
  • Palazzo Corsini alla Lungara
  • Palazzo Barberini
  • Cardinal Antonelli
  • Pope Pio IX, born Giovanni Maria Mastai-Ferretti.
  • Hera Campana
  • Diadem pendant
  • Giovanni Pietro Campana
  • Engraving of the Campana collection at the Louvre Museum, ca. 1861.
  • Monte di Pietà
  • Monte di Pietà
  • Monte di Pietà
  • Piazza del Monte di Pietà, Rome, Italy.
  • Monte di Pietà
  • Monte di Pietà
  • Orazio Gentileschi, Saint Francis and the Angel
  • Mattia Preti, The dinner of the wealthy Epulon
  • Giovanni Baglione, Sacred and Profane Love
  • Valentin de Boulogne, Expulsion of the Money-Changers from the Temple
  • Valentin de Boulogne, Last Supper
  • The entrance arcades at the Colosseum, Rome.
  • Carlo Saraceni (attr.), Saint Cecilia and the Angel
  • The spectacular view over the Arch of Constantine from the belvedere Valadier.
  • Latin inscription dating to 1852 and dedicated by pope Pio IX to keep memory of the Christian martyrs and commemorate the restoration works performed on the monument.
  • The permanent exhibition section at the second level of the Colosseum.
  • The stairway connecting the first and second levels inside the Colosseum.
  • A stairway connecting the first and second levels inside the Colosseum.
  • One of the stairways connecting the first and second levels inside the Colosseum.
  • The scale model of a mural section with the reconstruction of the goods-hoists system.
  • The reconstructed goods-hoist below the level of the arena.
  • The trap door belonging to the reconstructed goods-hoist at the level of the arena.
  • A water conduit belonging to the complex hydraulic structure of the Colosseum.
  • An underground corridor later made with travertine blocks.
  • The interior of the Colosseum viewed from the arena.
  • The exterior of the Colosseum by night, Rome.
  • Giovanni Battista Piranesi, Veduta di Campo Vaccino
  • Herman van Swanevelt, The Campo Vaccino, Rome
  • Joseph Mallord William Turner, Ancient Italy – Ovid Banished from Rome
  • Hubert Robert, Rovine antiche
  • Polifilo among ruins
  • Peter Paul Rubens, Landscape with the Ruins of Mount Palatine in Rome
  • J. M. W. Turner, Modern Rome – Campo Vaccino
  • Jacopo Bellini, Album del Louvre, Epigrafi e monete
  • Herman van Swanevelt, A Roman View of the Ruins of the Temple of Venus and Rome with the Colosseum and the Arch of Constantine
  • The Temple of Concord
  • Circle of Claude Lorrain, View of the Campo Vaccino, Rome
  • Paul Bril, Landscape with Roman Ruins
  • Étienne Dupérac, Vestigi del monumento, overo mole d'Adriano
  • Guido Reni painting the portrait of Beatrice Cenci in her cell
  • Nicola Filotesio (also called Cola dell'Amatrice), Assumption of the Virgin
  • Cola dell'Amatrice, Death and Assumption of Mary
  • Goethe in the Roman Campagna
  • Federico Zuccari, Taddeo Zuccaro Copying the Antique Statues in Rome,
  • Étienne Dupérac, Vestigij d'una parte del monte Aventino che guarda verso Ponente et il Tevere (detail)
  • Gaspar van Wittel (attr.), Rome, a view of the river Tiber at the porto della Legna looking towards Castel Sant’Angelo, with Saint Peter’s basilica in the distance
  • Palazzo Senatorio in Rome, at present.
  • Lion Attacking a Horse
  • Lion Attacking a Horse (detail)
  • Phalera with Relief of Lion Attacking a Stag
  • Courtyard of the Palazzo dei Conservatori in Rome, at present.
  • Stefano della Bella, Courtyard of the Palazzo dei Conservatori
  • Denarius
  • Giovan Battista de’ Cavalieri, Fragmentum e marmore mira arte celeberatum in capitolio Romae
  • Milestone Rome
  • Étienne Dupérac, Vestigij del Tempio di Faustina
  • Luigi Rossini, The basilica dei Santi Cosma e Damiano, etching, 1842-1843.
  • Basilica dei Santi Cosma e Damiano, Rome.
  • Basilica dei Santi Cosma e Damiano
  • Basilica dei Santi Cosma e Damiano
  • Basilica dei Santi Cosma e Damiano
  • Basilica dei Santi Cosma e Damiano
  • Basilica dei Santi Cosma e Damiano
  • Basilica dei Santi Cosma e Damiano
  • Basilica dei Santi Cosma e Damiano
  • Basilica dei Santi Cosma e Damiano
  • Basilica dei Santi Cosma e Damiano
  • The remaining portion of the ancient hall of Vespasian
  • Elephant and Obelisk
  • Elephant and Obelisk
  • Elephant and Obelisk
  • Elephant and Obelisk
  • Elephant and Obelisk
  • Elephant and Obelisk
  • Elephant and Obelisk
  • Roman Denarius
  • Elephant and Obelisk
  • Elephant and Obelisk
  • Niccolò del Giudice
  • Porto di Ripetta
  • Porto di Ripetta
  • Porto di Ripetta
  • Casino al Pigneto del Marchese Sacchetti
  • Alessandro Specchi (attr.), Project for the Scalinata di piazza di Spagna
  • Vincenzo and Felice della Greca, stairway of the chiesa dei Santi Domenico e Sisto
  • Andrea Pozzo, Plant and perspective of a stairway
  • Porto di Ripetta
  • Porto di Ripetta
  • Porto di Ripetta
  • Ponte di Ripetta and the construction of the Tiber embankments
  • Giovanni Battista Falda, Chiesa di San Girolamo della natione de’ Schiav.ni nella regione di Campo Marzio a Ripetta
  • Giovanni Battista Piranesi, View of the porto di Ripetta
  • Gaspar van Wittel (attr.), Rome, a view of the river Tiber at the porto della Legna looking towards Castel Sant’Angelo, with Saint Peter’s basilica in the distance
  • Bernardo Bellotto, View of Via di Ripetta in Rome
  • Chiesa di San Girolamo degli Illirici next to chiesa di San Rocco in piazza del Porto di Ripetta in Rome, at present.
  • The Miracle of the Snow at Santa Maria Maggiore.
  • The Miracle of the Snow at Santa Maria Maggiore.
  • Jacopo Zucchi, Miracle of the Snow
  • J. Ribera, San Gregorio Magno
  • Jacopo Zucchi, The procession of Saint Gregory
  • Castel Sant'Angelo
  • Apotheosis of Sabina in the presence of her consort Hadrian, 2nd century AD, marble relief from the Arch of Portugal, Rome, Musei Capitolini, Palazzo dei Conservatori.
  • Maerten van Heemskerck, View of the Campidoglio
  • Rome area from the Tabula Peutingeriana
  • Miliarium in vico Jugario